you eric vladimirovich just behaved like a real person in normal life. cleverly divided their lives for them and for themselves. maybe, in general, but you had a picture of a sunset or sunrise. that's what you thought when you drew this, well, we were just like that it's the end of an era. here, uh, ends some huge fuck. here, well, this is the border, as if between the past and not the future, that is, it seemed to people around that this was a normal life. and it seemed to you that she was absolutely not normal not normal. that's it . this is what i always tried to express, that this is normality. our normality abnormal. here comes the market life. and how do you understand now? she's normal, damn it. and why do substitutions take place all the time, even as in soviet times. the concepts were changing, it was said about courage, but it meant servility, and it speaks of incredibly honesty, but it meant denunciation. well, and so on, but in the market that in some sense you are even more dangerous than the soviet ideology. this is a market ideology, becau

explaining that in his paintings there is no irony or sarcasm, id for masterpieces always prompted eric vladimirovicherself. life picture horizon for example, was born on rest in the crimea when bulatov caught a bad cold and ended up in a clinic. for a long time the sea, as luck would have it. some kind of wooden red stick covered everything. not there. at first i was terribly angry, and then suddenly i was literally hit right on the head that they show you a fool. just the opposite, your own life, i live and see this phrase from a poem by the poet vsevolod nekrasov, a friend of bulatov, just about him he saw the time the slogan of the soviet era in large red letters against the blue sky , today they buy a picture of soviet space for one and a half million dollars, but when he wrote it, he had to survive, earning a living by illustrating children's books, he painted, and his friend oleg vasiliev selected the light range. this was the style at the time. and he says in those days they still treated this. everyone was suspicious of some with suspicion and even contempt, because he did not fulfill a poli

tired of explaining that in his paintings there is no irony or sarcasm, but ideas for eric's masterpieces vladimirovich picture horizon, for example, was born on vacation in the crimea when bulatov caught a bad cold and got into the clinic in front of me in front of my face was a window. and outside the window the sea as luck would have it? here's some wooden red, the stick was covered. this made me angry at first. here's what you need to somehow unlucky. like this, and then suddenly they show you, just the opposite is property , just about him he saw the time the slogan of the soviet era in large red letters against the blue sky of abstract freedom, a picture of soviet space today is bought for one and a half million dollars, but when he wrote it , had to survive by making a living by illustrating children's books. this is the little red riding hood he painted, and his friend oleg vasiliev selected the color scale was worked meticulously and carefully for half a year. they had some concerns. whether he will appear to the doctor, they will not show whether they will seem too avant-garde to rachev. arti

bulatov to vladimirovich hello this is for you eric bulatov is receiving us in his studio in paris neare, most of his works of recent years, apparently, have an inscription of dedication. natasha's wife. she laughs, says this allows the arizonites to buy a painting dear to their hearts. for example, parisian street, sentinimity. and here is the door that cuts through the darkness with a streak of light. this from the other just comes from somewhere from somewhere to its 90th anniversary. eric bulatov talks about the main light at the heart of everything and after our death beyond the horizon in his works soviet reality prevents this from being done, then a red sash, then a symbol of success, then the inscription do not lean. bulatov is often called the founder of social art, he is one of the most famous contemporary russian artists, he still tries to work every day. now an exhibition of his drawings is being prepared in moscow, it is sometimes scary and when eric is looking. the only correct spelling of this is everything is not so scary in the twenty- second year. that is, the news, th

arrows the colors of prohibitions and freedom so often found in the works of bulatov vladimirovich hello this is for you ericinst the walls. here are his works of recent years on the majority. we see the dedication inscription. natasha's wife. she laughs, says, this allows those who want to buy a picture dear to their hearts to be arizonite. for example, paris street, this is the speech. and here is a door with a strip of light cutting through the darkness from another. just just coming from somewhere from somewhere on their 90th anniversary. erik bulatov talks about the main light at the heart of everything and after our death this light of light will be opened just to look beyond the horizon into it in the works of soviet reality, this is prevented from doing this, then the red sash is then a symbol of success, then the inscription do not lean. bulatov is often called the founder of social art, he is one of the most famous contemporary russian artists , he still tries to work every day. now an exhibition of his drawings is being prepared in moscow. we are sometimes scared when eric is looking. the only cor

wall of the factory floor, and the illustration was of this for children's books vladimirovich hello this is for you ericrently, the inscription of the dedication. natasha's spouses. she laughs, says this allows those who want to buy a painting dear to their hearts. for example, parisian street, saint-deniers darkness strip of light from another. it's just that from somewhere bulatov is often called the founder of social art, he is one of the most famous contemporary russian artists who is still trying to work. day now in moscow are being prepared, an exhibition of his drawings, periodically scary and when eric is looking. the only correct spelling of this is not so scary in the twenty-second year, because every day he watches and reads the news, it is relevant to me, that, i try to do the same thing that they do something like that, but only he succeeds i have no. how do i know where. it's all about the meaning of life. this is what we face every day, this is the question that we ask every day, in fact, where it is very important. you beyond the horizon, the surface of the picture let the viewer inside,