182
182
Nov 18, 2013
11/13
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CSPAN2
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he painted "the golden rule" published 1960 the mosaic then erik erikson wrote to nsa on "the golden rule" and became the centerpiece of the book and i just thought which way does this influence go? why are they both doing "the golden rule"? a lot of little question is like that doing research and i'm glad some really cannot be answered so i lay out the evidence and hope that other people will continue their research of the golden rule. >> when it shines it is golden jesus. [laughter] you have to say yes or no and what the hell is it? so you attack it to see what you can do with it. >> but there is a lot of convergence of a love to see someone researched the source if you're looking for a good dissertation all artists do that take what they need a and ignore the rest of lot of work to be done there i was recently at a civil war show and saw a painting by eastman johnson the day in the life a fabulous job underpainting i had already handed in my manuscript to editor done. let it go. i saw that painting and a screamed because there realized it had that was the painting he had to be loo
he painted "the golden rule" published 1960 the mosaic then erik erikson wrote to nsa on "the golden rule" and became the centerpiece of the book and i just thought which way does this influence go? why are they both doing "the golden rule"? a lot of little question is like that doing research and i'm glad some really cannot be answered so i lay out the evidence and hope that other people will continue their research of the golden rule. >> when it shines it...
85
85
Nov 29, 2013
11/13
by
CSPAN2
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eye 85
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he painted "the golden rule" published 1960 the mosaic then erik erikson wrote to nsa on "the golden rule" and became the centerpiece of the book and i just thought which way does this influence go? why are they both doing "the golden rule"? a lot of little question is like that doing research and i'm glad some really cannot be answered so i lay out the evidence and hope that other people will continue their research of the golden rule. >> when it shines it is golden jesus. [laughter] you have to say yes or no and what the hell is it? so you attack it to see what you can do with it. >> but there is a lot of convergence of a love to see someone researched the source if you're looking for a good dissertation all artists do that take what they need a and ignore the rest of lot of work to be done there i was recently at a civil war show and saw a painting by eastman johnson the day in the life a fabulous job underpainting i had already handed in my manuscript to editor done. let it go. i saw that painting and a screamed because there realized it had that was the painting he had to be loo
he painted "the golden rule" published 1960 the mosaic then erik erikson wrote to nsa on "the golden rule" and became the centerpiece of the book and i just thought which way does this influence go? why are they both doing "the golden rule"? a lot of little question is like that doing research and i'm glad some really cannot be answered so i lay out the evidence and hope that other people will continue their research of the golden rule. >> when it shines it...
90
90
Nov 29, 2013
11/13
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CSPAN2
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eye 90
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he painted "the golden rule" published and then in 1964, erik erikson it are brilliant gina strings loaded on the baltimore and became the centerpiece of the book. and i just thought busy taking them from him? why are they both doing back? there was a lot of little questions like that i found doing batteries reach. i tried to research and i've got some questions cannot be a third. the other people will continue to research. [inaudible] >> -- he's got to either say yes or no. what is this? >> yes yeah. see what you can do with it. >> right. but there's a lot of convergence i would love to see someone research resources the art historical sources. if you are looking for a good dissertation he's always playing around. there's a lot of work to be done there. as laurie niles, is recently had a civil war show that's on a painting by easton johnston. a day in the life of the of the south. a big fabulous painting on behalf of the new york historical society. a dirty handed in my manuscript. let it go. i saw the and i screamed because it had the same -- that was the dean team he'd been looking at w
he painted "the golden rule" published and then in 1964, erik erikson it are brilliant gina strings loaded on the baltimore and became the centerpiece of the book. and i just thought busy taking them from him? why are they both doing back? there was a lot of little questions like that i found doing batteries reach. i tried to research and i've got some questions cannot be a third. the other people will continue to research. [inaudible] >> -- he's got to either say yes or no....