i think that i think that - esenstein and stalin understood each other friend. moment, although on the one hand the picture is absolutely, well, i would say, pro-soviet, internally, i would say even pro-stalinist, but on the other hand, from einstein, especially in the second series and in the third series. difficult question: at what cost should this goal be achieved? the question of price, in this sense it seems to me that unlimited power is made by man? yes, yes, yes, yes, this is it for me it seems that this happened to him, even despite , perhaps, his desire, but this, this motive arose in the second episode and it is very strong in the third, it seems to me that stalin did not like it. although at the same time he appreciated zinshtein’s desire to do this. koren, another point that you mentioned is isenstein’s patriotism. and now we are looking at people who, for one reason or another, left, after that, after they left, they made different decisions about how they would behave in the west and whether they would stay there and will they return? i can only r

why esenstein, why him cinema? in my opinion, esenstein actually created cinema as an art.ce, of course, the image of grozny was laid down by kramzin, esenstein captured the scale of this figure very correctly, such a personality cannot be measured with a ruler, this is the method of a great artist who creates history, predicted much of what is happening to russia today. the big game, special issue, now for the first time, the grand duke of moscow, the crown of the king of all. a real russian man, the battle has already begun, so they ran right during the attack, the commander tells him, this is for your order, otherwise they will kill or wound you, that means you are wearing an order, right on the run you gave it to him, someone from the neighboring trench shouted, crawl to us , we have cigarettes here, yuv crawled there, and the old man just flew into his eye, the hardest thing in our work is to wait, if he entered the room now, everyone would have to stand up and talk to this man while standing, because people like alexey smirnov, the victory of the soviet people was for

of this one mechanized knightly machine, chain. was able to embody these ideas, moreover, he gave esensteinar of the first year, in fact, it’s here that esenstein is not even only it will work with sound, but with color, but this is a separate episode, which we will talk about in due time, and as for the proposal, it really was... very peculiar, because here it is important to remember the context. in this is the time when historical works begin to come out that rethink grozny’s place in history, that seek to at least justify the tyranny of grozny by creating opriches, not by eliminating the boyars, that is, by establishing personal power, in fact, what stalin did in the thirties , when he first got rid of the mensheviks, the social revolutionaries, and trotsky. the so -called and so on and so on and so on, so this is the proposal that was received in january forty-one, and it was voiced by jdanov, who invited ezenshtein for a conversation and invited him to direct the film... the formidable izenshtein did not immediately agree, but izenshtein, in general , took some time to think and himse

i wonder what when esenstein takes on this film in the thirties, practically nothing is known about nevskye on the order is not some kind of medieval image, but this is actually a stylized nikolai cherkassov in the role of nevsky. it seems to me that this connection between screen cinema and real life is absolutely direct here. and of course, films were released that were shot before the war, for example, in the summer of forty-one in july in august in moscow there is a color film the little humpbacked horse, his it has just been filmed, this is one of the first soviet color films, the first color film skazka, in five moscow cinemas in august 1941 you can see the little hunchback the horse, in september a masquerade comes out, a masquerade called swans... from this negative we can already make new copies, that is, the film could have disappeared altogether, as in fact many leningrad films disappeared, those that were shot in the twenties, because after the evacuation of a partial alenfilm, some things were buried, for example, yes, well, so as not hit incendiary bombs, because it needs to

but as people who really experienced all this in their own experience, and this was a podcast of esenstein’sell-known soviet films within the framework of a film-going school that teaches how to enjoy forgotten or famous films of the soviet period. thank you, goodbye, goodbye. the time when our first satellite was launched, i naturally don’t remember, as for gagorin’s flight, i have a very vivid impression of it from childhood, of course it was complete delight, but then very few realized that, in general, this space is a kind of side effect from the arms race and from... military rocket science, because if there weren't this, there wouldn't be space. here it must be said, first of all, that a new era began in august of 1945, the nuclear era, the united states had a monopoly on the atomic bomb, and this of course made the world very unstable, and of course, no one in the united states expected that the soviet union would be able to create a nuclear a bomb to go into space in 1949, and on october 4 , 1957, launching the first satellite, that’s how this race is? concerned the spread of leftist

historical science, of course, the image of ivan the terrible was laid down by kramzyan, the scale esenstein creates history, predicted much of what is happening to russia today, a big game, a special issue, now for the first time the grand duke of moscow... the crown of the tsar of all russia puts the blame on itself and the film ivan the terrible is somehow timeless, it turns out to be a film, because each era looks at it with its own eyes and finds some answers to its questions. on saturday on the first. samoilov and all these films of the otepele era, they as they show new heroines on the screen, yes, anastasia vertinskaya, who plays. didn’t match, she was considered for the main role in the film sunday, another film adaptation of tolstoy, for the role of katyosha maslova, mikhail swiss, also a classic by that time of soviet cinema, but it didn’t work out, they chose tamara syomina, perhaps it was in the classics that she needed play, but somehow it turned out all the time that this is her filmography, if we look at it now, it consists of rare such big roles, then everything is very ordi

i said that i saw a crime, so i thought that it would be theft, this is murder, this is comrade esensteinum carbonate is not a gas, it’s hard white crystals like that, but what’s the difference, hard, soft restal, there’s a well-worn man, nestilov, why do you need a clothespin on your nose, oh, vacancy, how hard it is with you, i’ll explain, for stupid people, this ancient folk wisdom against poisonous gases, i learned in the magazine, a playboy, yes, that’s the one from a small age. which you have, and i see you have problems with this, yes problems? i apologize, well, you understand that you still inhale through your mouth, yes, comrade, that means you, go, let’s go kolidor, come on, actually, actually, i’m the only one who saw the killer, now i ’m supposed to call you when necessary, i hesitated, i’m telling you, ugh, and it’s you, yes, it’s us, brought the animal down? it’s a shame to even come in, no, it ’s just that your smell infuriates him, and you too, i see it infuriates you, check the door, you can calmly go home, everything is clear here, here the poor guy was tormented, and l

geniuses, heirs of ancient times, these are prokofiev, and shastakovich, and stanislavsky, and esensteindovich did not understand the whole sinister essence of the question, which cost osip emilovich his life. thus it turns out that really the only, the only great the advantage of the production is the two main central characters; it would be nice for them, and in general for the director who is certainly gifted in terms of time, to have serious producers who could stop the scriptwriting and directorial gags. premiere. i love my country. on saturday, on the first. the next number of our program will be the production of anegin. directed by sarik andrin, also cinematic. the film came out in. day after the death of the previous director evgeniy negin, though on the stage of the vakhtangov theater imus tuminos. this the topic is important because andreasyan borrowed for his production the most important roles of anegin and the narrator, tuminus leading artists, viktoraov and vladimir vdavichenkov. and he did it with much greater delicacy than was evident on vakhtankovsky’s stage. but at the

this is the grand duke, the natural one did not say this, this is from the film esenstein. and a lot i think this is the task of historians, first of all, yes, this is to compare all these few data, choose something to draw some kind of consistent picture, such a puzzle, with missing details, as usually happens with historians, but to figure it out, try to figure out where it is... hello, this is a historical russia-west podcast on the swing of history. pyotr romanov and sergei solovyov are with you, today we are talking about alexander nevsky. well, the times of alexander nevsky were the most difficult and difficult times for the russian people, because there was disunity, there was a numerous principality, civil strife, a lot of bloody events. this disunity that existed then, of course, helped a lot with various kinds of intervention, because the russians knew how to fight. no worse than others, but they beat one by one, that’s why there were a lot of difficult events of that period, the threat was from two sides, now we mostly remember the threat of the west and the fact that it w

can be shared with the boyars. fight again, the people are rising up against you, a film by sergei esenstein group. greetings. the first perception of the audience is the same. major tomin and there's no escape. if he feels indifference and lack of professionalism, then this, of course, infuriates him. he has a great sense of responsibility, masculine charm and masculine self-confidence, although a man lifts dumbbells every morning, it’s a great pleasure, i’ll tell you, this gym is amazing, he works out, he keeps in shape, he’s very efficient, but he gets tired , but he can’t live without it, i believe in omens, probably all actors believe, but... in black eye, so you have to spit out, on the eighty-fifth birthday of leonid konevsky, tomorrow on the first, in 1954, the first secretary of the cpsu central committee nikita sergeevich khrushchev decides from the barsky shoulder to transfer crimea to ukraine. he was sure that, like the first bolsheviks, that all this would not matter, he was a fanatic, a tyrant, no matter what, as he liked to say. processes of the collapse of the soviet union, w