(ethan coen) the fact that we storyboard everything we do grows out of our experience in "blood simple we didn't have any money to waste, essentially, and we had to be able to talk to the person who was shooting and the person who was designing it about what we were going to see and weren't going to see, so we didn't waste the money that we had. (loud engine roaring) there's something, a lack of heart or emotion, that have prevented the masses from connecting to their films. there's always a certain distance there. but i think "raising arizona" shows that they can make a middle-american comedy people could really get into. i'll be taking these huggies and whatever cash you got. "no, no, not by the hair on my chinny chin chin," said the little pig. aw, look at that. look at him. "then i'll huff and i'll puff and i'll blow your house in." that son of a bitch. (yelling) you son of a bitch! better hurry it up. when they plan a sequence, i find what they're truly doing is not planning a shot and then another shot, but they're really writing a piece of music, only they're doing it visually.