wonderful with you, i, its host, writer alexey varlamov, are visiting me wonderful director, evgeny borisovich kamenkovichhank you for taking the time to come to our studio, i would like us to remember a little about the man whose name is given to the theater that you head, the workshop of pyotr fomenko, that’s what kind of man fomenko was, why does... he has a theater, and not just the workshop of pyotr fomenko, tell us a little about it? it’s very easy to talk about pyotr naumovich, because if you somehow try to parse him into component to classify, then for me it’s a very big question, what comes first, he as an artist, a great one, or as a person, very often, when you meet people who knew fomenko personally, they first remember some meetings with him in life, and then they remember his performance, it happens, of course, the other way around, what about you? everything is mixed up for me, and in general it seems to me that this is that happy occasion when the way a person lived, he created the same way. with pyotr naumovich, it seems to me that a priori it could not be boring, it was simply excluded,

the wonderful, i am with you, its leading writer alexey varlamov, my guest is director evgeny borisovich kamenkovich drown, some remain, that’s what shakespeare did, if he existed, yes, that's why they continue to play it everywhere all over the world they are trying to understand his riddle, but you know, there are several plays by shakespeare that you always want to stage in any condition, it seems to me that every director is different, so i have four such plays there, with a storm i entered the institute, although this is mine was a miracle explication, but the storm is not so after all, but this is his spiritual testament , let’s say, and since there is one line that is not in any russian translation and my ending is despair, and my lot is despair, here what to do with this, this is how the great bart ended, this is the last prosper's monologue, but it doesn't matter, and king lear, here's a historical fact, i definitely suggested this to my teacher, andreysanovich goncharov, he was only before me... maikovsky, yes, the maikovsky theater, well, of course, andrei sanachi, since andrei saanich lo

hosted by me, the writer alexey varlamov, my guest was the wonderful theater director evgeny borisovich kamenkovichdcast lab project on the website of the first channel 1tv.ru. my greetings, dear friends, the melody of my life podcast is on the air, today i have a wonderful artist as my guest, our friendship has been tested by time, we have known each other for a long time, so i would like to greet dmitry kharatyan, people’s artist of russia and immediately, to break all stereotypes , even, which i have in my head about the podcast melody of my life, the first question, dim, is this: what melody can explain your highest level of patience, your vaccination against star fever, because you are, perhaps, from our generation, who is now about 60 , a little more or less, hello, how did you manage to do it, you were the first to experience, people’s love, especially since at the age of 16-17, all the girls around... that’s it, but you’re normal man, as long as i've known you, you've never had this, yes it was, it was, everything was, and this too was, well, of course, water and copper pipes, those same co