good evening, tamara anatolyevna, good evening, evgeny pavlovich, what good children we have, yes, andld, well, in fairness, he never forgot march 8, flowers, sweets, look how he holds it, like a crystal vase, but i forgot my glasses , i don’t see anything, oh, sorry, sorry, i’m doing a great job, that was the best, thank you, thank you, well, it’s time for us to go, mom, what are you talking about, the evening has just begun, what are we going to do at home, well someone lives nearby, and we still have to get there, please, an hour, an hour, one hour, can i nastya, my father? he’ll take you home, he’s just in the car, your dad is here, and we’ll call him now, mom, please, please, okay, let’s go, it’s getting noisy, it’s time to run, i’ll accompany you, i have a long way to go, yes, even to vladivostok, ok then. on may 9 on rtr, they say you need to prepare for a vacation, you need to be able to relax, you need to relax beautifully, but you need to relax, where there is sun and sea, on the first shore, where everything is included, except for your head. we know everything about holiday

course, even such, let’s say, modest people in everyday life as tatyana ivanovna peltser, there evgeny pavlovichin the theater there... needed to place a child in a kindergarten there or the living conditions of an apartment there, tatyana ivanovna peltser put on all his orders, alexander gavrilovich abdulov took her by the arm as they walked to some offices and did good, not for themselves, exclusively for young theater artists, you see, they all left one after another, peltzer, then after a short time... faces, faces of the theater, how did oleg yankovsky feel about his friend leaving? oleg ivanovich, i remember he was very worried, he was not there and everyone was very worried, then alexander viktorovich sbroev, who, god bless him, is one of the old-timers, he’s the only one in the theater, because he worked since... belek - a place where time stops. immerse yourself in sophistication and luxury, forgetting about time, on the shores of the mediterranean sea. discover true excellence by making your dreams come true. hotel kalinan beleg, where life turns into a fairy tale. here. pechora produc

the same year, it was so interesting, he just arrived in moscow, he was taken to the theater, evgeny pavlovich’s a guy from saratov, such a good actor, mark, take him to the theater, he’s a good actor, so they called oleg, he came with his wife. with luda zorina, besides, they played in the theater there, luda zorina was the heroine, and he , well, played in the theater too, but no, he didn’t shine the way she shone, they were both invited to the theater, here he is still in moscow he was settling in, sniffing around, he had just gotten, i think, a shield and a sword and something about drivers, racers, i think, and here i am, a native muscovite who served 4 years in prison there. he liked her not only as a woman, but also as an actress, as an actress, yes, she loved him and loves him, she worked in our theater, moreover, he said that i was all like one of his own work, here are all the new roles, thanks to people, i mastered, she is a very courageous person, i think that she also wanted to play, you know, she is not... this is on the level, or even higher, of nicholson, you know, well, all am

and a shield and a sword, and it was already popular, so he immediately took it for yankovsky, evgeny pavlovich them, in principle, from them he began to build a performance. zakharov did not forget the first sbruev, but did not particularly spoil him; there were roles, after all, zbruev, a people’s artist, adored by the audience, but not the main ones. in the close circle of mark anatolyevich lived oleg yankovsky, nikolai karachentsev, and later alexander abdulov. he saw only them as the heroes of his big projects. mark anatolyevich was very fond of very famous artists, so he appeared. very famous actor bronevoy, tatyana ivanovna peltser, oleg yankovsky, evgen pavlovich leonov, he made sasha abdullov, he made him, sasha abdulov should have erected for him, sashenko, dear, should have erected a monument for him, sasha loved zakharov very much, and he i just called him my father, this is my father, he is higher for me than my own father. sasha, i think that in his time, he was the best actor, he was simply brilliant, another thing is that he took a huge amount of what should not have been done,

you for coming, thank you for being with us, taking us back to the eighties, as far as i know, evgeny pavlovichy, at the same competitions there are recommendation songs, and so i chose ptichkin, well, that is, i chose, i always sang what i liked, at least they came up to me, they say , tukhmanov, don’t sing, you’ll fly by, he’s in a fall, which movie victory believes people the earth now even on the internet the jury the first performer is sitting and he says they turned this song upside down and we listened to ptvkin and decided that this is how it should have been done, and krylatov invited you to his home, he made a presentation there, yes ? evgeniy pavlovich then gave the phone number and said: “oli, now there ’s a mess brewing there, don’t leave with a movie, there will be a boy there, a schoolboy, that is, you haven’t met this guy, igor, unfortunately, igor krasavin, it was his first and last film role, alas, yes, you know, everyone says that well, we watched the previous films, but they say." so the girls all fell in love with this boy, with that boy, with this one, and here i am i saw

by evgeny zakirov is based on the wise minnow, the faithful trezor, the horse, the wild master and other works by mikhail evgrafovich soltykov shchedrin. kirill pirogov's play based on anton pavlovich the role of arkadina galina tyunina returns to the stage of the pyotr fomenko workshop theater. the mossovet theater on the stage under the roof presents the premiere of the play the married bride based on the play by alexander shakhovsky, alexander griboyedov and nikolai khmelnitsky, production director evgeniy marcelli. starring maria knushevitskaya, alexander bobrovsky, valentina kareva, marina kondratyeva, larisa naumkina. festival of contemporary academic music iolova arfat. the exhibition space brought together more than 100 works from the largest russian museum and private collections. and the dramaturgy of the exhibition is based on the interweaving of the artistic works of repin and his numerous artists who are so different from either the master himself or each other. she it becomes more complicated from the first full-scale class, where we meet the still young, so different from the familiar sirov, somov, kustodiev, to the third hall, where we are waiting for... repin, his