we continue the theater podcast, our guests are evgeny pisarev and alexander rusulyak. entering other people’s territories, in the sense that you do what you do best, and where you doubt that it will be best, that it will be it’s better, you don’t risk going there, here’s the story of the cabaret, yes, because well, it’s like a material that, in general, has quite a success, and on a worldwide scale. as a person who agreed to do this, and agreed to do it in a drama theater, you had some kind of fear that there would be comparisons with bob fosse, well, everything connected with this is for some reason difficult to say , because all this is already in the past, and since now i no longer have any fear, i don’t remember whether there was fear, there was a proposal from evgeniy vitalievich mironov, i was surprised and somehow sincere. misunderstanding of how it all happened, and then his cunning, and maybe very insincere move at the same time, when i said, well, after bob phos, but after everything, he says, no one can do this better than you, there is no person who, i some

discuss this with my friend, artistic director of the moscow drama theater named after pushkin, evgeny pisarevle wonderful artist of the same theater alexandra ursulyak. hello, zhenya, hello, sasha. hello, greetings, the route by which you got to the pushkin theater is surprisingly similar, you graduated from the moscow art theater school at different times, with a difference of 10 years, yes, you ended up at the pushkin theater, where i work to this day, tell me, that’s it what happened before emhat studios school, your dreams of becoming artists, they also coincide or maybe these are different stories, somehow we never discussed it, we discussed it. well, i don’t know, sasha will speak for himself, but it ’s clear that from childhood i only looked in this direction, i was the same boy who was put on a stool, who, therefore, came up with some kind of role-playing games for guests, who came, hello, come to our store, he said, i’m there for my mother’s guests and so on, no, it’s clear that i wanted to be an artist, but then everything, starting from entering the studio school, i dreamed of... t

hosted by anton getman, our guests were the artistic director of the moscow pushkin drama theater evgeny pisarevi, larisa buzeeva, let's get married, good afternoon, today the bride is olga, vera and natalya, and our groom is igor. igor, 56 years old, his wife’s betrayal deprived him of his friend, daughters, health and part of his property. igor, a chiropractor, was born and grew up in moscow, is proud of the fact that he put himself on his feet after. fracture of the spine and divorce, as well as the fact that he cared for his mother for the last 10 years of her life, he warns that he can flare up when he sees injustice. igor will not pay attention to the arrogant owner of large lips, voluminous eyelashes and long nails; he will marry a gentle, cozy woman who will treat him with respect and will not be jealous for excessive attention to her car. hello, ra! you survived this, but i torture everyone all the time, you are not the first who came traumatized, wounded by betrayal, how did you know? in general, i must say that i got married, i was 27 years old, and i married feelings on emotions, the

host anton getman, our guests were the artistic director of the moscow pushkin drama theater evgeny pisarevrsulyak. hello everyone, on the first channel of the podcast everyone wants to fly and i am its host leonid yakubovich. today you and i will not fly anywhere, today we will remember a man, but if not legendary, then at least outstanding. the name of this man was always hushed up in the soviet union, all of his achievements, although mostly they showed up. color, even before the revolution, was crossed out from all publications. we will talk to you today about a man whose name was igor sekorsky, an outstanding aircraft designer. but let's start with this: on may 25, 1889, in the family of a famous psychiatrist, the family was wealthy, moreover... i repeat, she occupied a very serious position in society, therefore, according to established tradition, the boy was baptized in the family, exclusively , like his older sisters and brothers, were baptized only by members imperial family, in this case the boy was baptized by the emperor's cousin and became his wife, the grand duchess, at bapti

the main roles, i say proudly, when you graduated from the studio school. the course director evgeny pisarev the main roles in the play mantis for every wise man, it was in the theater of the nation, your dad, in order to play one of the main roles in the play, served in the theater for, i don’t even know how many years, but in this sense you have such a - well, very it was an encouraging, so to speak, start in the profession. good evening, my dears, i congratulate roskuritsa on its tenth anniversary, i myself love kulitsa very much, and today i will perform my latest hit for you, but there is a special note here, the fact is that the author of wonderful poems, the head of the roskuritsa corporation, nil mamaev, applause, friends! it’s incredible how both the talent of a businessman and a creative personality coexist in one person, so let’s once again welcome nil tinoseevich, the russian chicken taker, and we wish our where to stay with energetic laughter and roosters, you call me plush, probably because i’m good, so cheerful and fluffy. offer some kind of your understanding or vision in sol

we continue the theater podcast, our guests are evgeny pisarev and alexander rusulyak.l cabaret project. i read, zhenya, somewhere you said in some interview, i think, that you are generally wary of entering other people’s territories. v in the sense that you do what you do better, and where you doubt that it will be best, that it will be better, you don’t risk going there, that’s the story with the cabaret, yes, because well that’s like material that is generally quite successful, and on a worldwide scale, so you , as a person who agreed to do this, and agreed to do it in a drama theater, you generally had some kind of fear that there would be comparisons with bob phos, well, everything connected with this, for some reason it’s difficult to say, that all this already in the past, and since now i no longer have any fear, i don’t remember whether there was fear, there was mironov’s proposal, there was my surprise and some sincere misunderstanding of how it all happened, and then his cunning, and maybe very an insincere move at the same time, when i said, after... after e

showing of the play, i i bought a booklet, started leafing through it, i found an interview, evgeny pisarev understand, this is what it is, that’s why they’re reinterpreting it like this for me again the classical opera began to sound an overture, which really everyone knows, a homeless-looking dietie appeared on the scene, in some kind of dirty winter jacket with a hood, which means jeans like that, on my head, which means, god forgive me, he has a hat that was taken from the hero of the film by the boy’s word, and this not an advertisement, because this knitted hat with a visor, i had one like that as a child, he sat down at one of the tables with his back to the audience, and so he leaned his elbows on this table and... seemed to fall asleep, he slept for most of the first act, only when almaviva and figgor started drinking, well , they come up with this plan that almaviva he has to pass himself off as a soldier there, and if he is drunk, well, who knows , he knows, this means the grandfather woke up, came up to them, they gave him the bottle, he took the bottle and left, i never saw him

we continue the theater podcast, our guests are evgeny pisarev and alexander rusulyak. in the past, and since now i no longer have any fear, i don’t remember whether there was fear, there was a proposal from evgeny vitalievich mironov, there was my surprise and some sincere misunderstanding of how it all happened, and then his cunning, and maybe it was a very insincere move at the same time when i said, well, after bob fos, well after everything, he says, no one can do this better than you, there is no person who... somehow i believed in myself or was sulky or something, and how to say, somehow i thought that they believed in me so much, sometimes the artistic director also needs, how to say, for someone to breathe air into him too, and not just me telling everyone, that means, here it is, but if some picture had not arisen, if some decision had not arisen, then of course you shouldn’t go into such territory, but it seemed to me that something connected in my head, this it was completely different from bob fosse, and my inner... story, it was, how can i say, it was diff