duet of evgeny tsiganov and ekaterina vilkova creates on the screen a bright , recognizable portraitrate and confused in the turning point of ninety-three. love, friendships, and even relationships with children were tested for strength. in the darkest hour, each character finds himself alone with himself, each needs to make a choice, he is on his own or with his family. this movie is not, in general, not about who is right and who is wrong, it is. the story is told through a person who cannot separate himself from this happening. instructions from the nineties on the screen is the business card of alexander veledinsky, but it is important that he does not repeat footage from news reports, but shows how people looked at these events from the inside. recognizable little things, hit melodies, every detail of this film brings the picture with the loud title 1993 closer to the real viewer, and invites him not to relive the events of those years, but to ask himself fundamental questions and find answers to them in front of the screen together with the whole family. there was no sadness, t