and our guests were two rectors, two wonderful theatrical people: evgeny vladimirovich knyazev, people'sich lyubimov, rector of the shchepkin higher theater school. and we are interviewed. the rector of the literary institute was also in charge, yes, we ’ve figured out three rectors here, thank you, hello, this is the baden baden podcast and i’m its host, konstantin severinov, our guest today is a virologist. academician of the russian academy of sciences, scientific director of the institute serum vaccines named after mechnikov, vitaly vasilievich zverev. vitaly vasilyevich, hello, it’s very nice to see you. hello, konstantin, yes, we are also very pleased. today we were going to talk about seasonal diseases with you. ah, but i would like to start by talking about the world health organization, since you have been an expert and representative of russia in this organization for a long time. and lately there are many people who doubt it. its feasibility, could you tell us what you did there and what you generally think about about the cart? you know, i went to the world health organizatio

leading writer alexey varlamov, my guest is the rector of the shchukin theater institute, evgeny vladimirovich knyazeve rector of the shchepkin higher theater school boris nikolaevich lyubimov, i would like to take this opportunity, evgeny vladimirovich, to talk a little about you, about your work, about the vakhtamgo theater today, you know me, so i understand that you have played a lot of work in cinema, in the theater , probably a separate podcast could be dedicated to this, but after all, this is what is personally very interesting to me, i am very interested in zoyka’s apartment, because zoyka’s apartment was a play by bulgakov, which was performed immediately after the success of the turben days in mkha. well, we were all - scattered there - in this performance, in this piece in the performance with these artists, but here we are alone and there is not a single one, neither popular nor honored, we were all the same year old, came out on stage and played this performance, so i am grateful, well , firstly, this is bulgakov, and the theme and pain, and who played the main character? nikolovich, wha

host, writer alexey varlamov, my guest is the rector of the shchukin theater institute evgeny vladimirovich knyazev the shchepkin higher theater school, boris nikolaevich lyubimov. boris nikolaevich, how did it happen that this modest young man, who was even embarrassed to confess his love, became such a superstar of soviet cinema, it was he who was entrusted with playing the role. people, no one from lenin’s inner circle, in fact, by that time they were either pushed aside, like krupskaya, or shot, so here... a step to the right, a step to the left, and it could end with anything, in that he looked like lenin, gorky saw this, back in '32, when they were rehearsing there, and the balychevs were rehearsing, he told him that you look like lenin, and ruben simonov, it stuck with him somewhere when simonov was looking for an artist for the role of lenin, he... remembered gorky’s phrase and offered this role to shchyukin, and the first appearance was in the vakhtangov theater, a man with a gun, a man with a gun, it was, they say, it was some kind of bomb effect when lenin came out on stage when speciall

writer alexey varlamov, my guest is the rector theatrical institute named after shchukin, evgeny vladimirovich knyazevamed after shchepkin boris nikolaevich lyubimov. i would like to take this opportunity, evgeny vladimirovich, to talk a little about you, about your work, about the vakhtango theater today, you know me, so i understand that you have played a lot of work in cinema, in the theater, probably a separate podcast could be dedicated to this, but still, here’s what... i personally am very interested, i’m very interested in zoyka’s apartment, because zoyka’s apartment - it was bulgakov’s play, which was performed immediately after the success of the turbyan days at the mkhatovsky theater, and was performed at the vakhtangovoikino theater. of this performance, he’s such a big boris nikolaevich doesn’t think so, but you don’t know, but i’m really imposing my opinion, what will you say, yes, that a great success is beyond any doubt, there ’s no need to even argue here, to the performance, to in the work of evgeniy vladimirovich, i think that this is one of one of the guarantees of this, so to spea

writer alexey varlamov, and in my studio , the rector of the shchukin theater institute evgeny vladimirovich knyazevniversary of boris vasilch. chukin, who turns 130 this year. boris nikolaevich, what can we say about this wonderful actor, this is how he is remembered in the history of russian theater and russian cinema. yes. this is a very difficult question for many reasons. in general, when you talk about actors, when you give lectures, say, on the history of theater, as opposed to the history of literature, you know this very well, you can’t take a book off... the shelf, no, especially if we talk about theater, there is no such living role , which you can show today in decades, there are no those people who someday... along with the generation, the marvelous generation of vakhtankov actors, so to speak, next to them, at some point, probably starting with the role of yegor boluchev, he just went sharply upward, he was on the first list of those awarded the title of people's artist of the ussr, he received the stalin prize posthumously, he fit everything into these 15-20 years of his creative life

writer alexey varlamov, and in my studio is the rector of the shchukin theater institute evgeny vladimirovich knyazev. boris nikolaevich, what can you say about this? a wonderful actor, that’s how he is remembered in the history of russian theater and russian cinema. this is a very difficult question. for many reasons, in general, when you talk about actors, when you give lectures, say, on the history of theater, as opposed to history and literature, you know this very well, you can’t take a book off the shelf, no, especially if we talk about theaters, there is no living role that you can show today, for decades there are no people who have ever seen machalov, shchepkin, sadovskys and so on live, here you go, chyukin, whom we can see live, yes, a photograph, but he will not come out of here, this is the most difficult thing, it seems that he died in 1939, it seems that this was just recently, a historically very short period, but the people who saw him live , practically no longer exists, on the other hand, this is a time that seems distant and yet close, this is the time of our grandfathers. togethe

writer alexey varlamov, and in my studio is the rector of the shchukin theater institute evgeny vladimirovich knyazeveducation institution. theater school named after shchepkin boris nikolaevich lyubimov, the reason for our meeting was the anniversary of boris vasilyevich shchyukin, who turns 130 this year. boris nikolaevich, what can we say about this wonderful actor, this is how he is remembered in the history of russian theater and russian cinema. yes. this is a very difficult question for many reasons. in general, when you talk about actors. you give lectures, say, on the history of theatre, as opposed to history and literature, you know this very well, you can’t take the book off the shelf, there isn’t, especially if we talk about theatre, there isn’t that live role that you can show today, there haven’t been those decades people who have ever seen machalov, shchepkin, the sadovskys and so on live, here you go, shchokin, whom we can see live, and a photograph. the optics are very complex, finally, there is still a point, he died very early, 45 years old, he didn’t lived to the age when, say, he