it is a traveling exhition, d the latest in germa technology. -- thiss no ordiny tofew traed. it stopped in fferent towns ancities in gmany and tries notoget a public interested in science but to get peoe thinking about the big questions of life, the universe, and the future. fo exple, here is something i never knew -- in the future, everyone will have one of these things, mood recognition machine. i find the wholedea rather unnerving, reay. but just bylooking at you, this machine can tell at you are happy, there we go, hap, or surprised, orngry. the are 12 carriage is burstg with ideas. like this one, multistoryarms. and what about than the sor panels? you could be able to sew them onto your jacket. this is the experimen carriage ere you can do all kinds of inventin look at what i have done with a liveall, asolar pel, and a few wis. i have ma a brash that walks around the table. that's really useful. -- i haveade a brush that lks around the table. >> we wanted to bing science to the people. we have a deficit in people to study science at the universities. with this exhition,

this exhition. >> the significance of bay i think this is t first hearin neyork. this is the first bigacom show in new york r 20 years. provides an opportunity to take aresh look at his achievement. perhaps at one step away fro thelarger an lif perso, he s a national lif persona, which tends toind of inflict the way we think about him, think about his work. >> charlie: nothing uninteresting about france bacon. >> no queson about that. here to see the paintings i these lleries, few gallies ay from the great canon of european artists think it'sn opportuny to really make a fresh assessent. they are perful and challenge artist en now. disconcerting when he first painted these wos. >> charlie: wn people come here, you hope ty will go away with that but in broader sense, why >> we have somhing like or of his paintis from collections around the wor. it provides an opportunity for ourudience to really folw the delopment of his work from earliest breakout right the way rough the ups and downs of hi career. through to the last years. it's a unique oortunity to respd and som

thmewho plantethfl on thmo in frt of the smithsonn exhit marking at day istory 40 years ag >> pickipe dust. epter: neal armstrong tooks whwe'd never been beforetry of this world. >> hoto tnq base here.eaglhas landed. rorter: focusing t'swo spacehererics say those eyes haven reallbeen since. in front of sold-o crowdt the itia nl armsong , a rare, ve rare public appearce looked ba on very ffert time. >> htory is sequcef randomvents and unpredictable chs, wchs whthtu is sdifficult to fores.you can try. >>epr:and when arins do try to look ahead in space, itlear if apolegacy will remain in a meumr o on a launcadn the not t stant ture where baldren ys it belong >> we came in pe for all mankd. s, wdid an yes, we will ai it was greatsol hono wan t moobut aseal ce observed, there are still plac tgo beyonbeli. >> reporte buzz aldn' rrowg of yes we can waso accident.antoday heilt the chce to makth pch directly to president obama wh he and e r ap 11 tronauts hd to the whi house f a mting wihe predento markhis anniversary. ted erg in whingn, d.c. >> 40 s o toght. thbipl nows to seaned u.s. astron

or does something exhit itself to you a then you know that's it? >> it's little but ofoth, really. i'm alys... it see like i always looking for the same thing because i createhe same situion every time which i'.. a lot of peopl think it'sctually boring, you know, because it's very peared dn, very... no productn values. >> rose: you have no stylist hoefring over you to set the scene. >> if ther is because i'm on an assignment to something, there's alys the moment that i willake that away. that it is the stylis the accessories, makeup and the hair, i will try to take it all away in order stay just with e simplest eence, the pust rt of the person, the mpst part. i dot know how t.. is it good enough? >> rose: ye >> (laughs) >> rose: (laughs) >> and then react only... once i'm at that sta i react only with the emotion and the instinct. i don't know what i'm looking for. i'm looki for a momentthat rings true to me. >> re: n, thinking of the photographs we've se already-- and wee going to see lotsf phographs-- whenou took them did you know you had them? or do you have to really look ansom

and that is, you know, he exhits lots of trasthat y n't see today. you dot see a lot of it today.ett at doing what heid than anybody else that was trying to do wt he did. >> well, tt's true, but no one will perhaps rise to the level if they follow these tngs you notice from michael jackson's ofessional life, they can rise to great heits. hard work, focus, discipline, but also recogning the facto reacthose heights requires so sacrifice. we know all of the saifices th michael jackn went through, that princess ana went throh, elvis, all o these folks. >> by theway, all of the people he is mentioning all dd prematurely. it's also the shockof losing someone wh should have had -- >>ho should ve had had a life to be honest withyou. i think what i get out of it is the importance of family. i dot care what i go through. there's a tremendous foundatn i have. i have a wonderful moth. iave a wonderful fher and wonderful sisters and nieces and nephews. i thinabout that. i sayth because the saddest thing about allof this is that michael jackson never had a chance. i said this on your show. i've