eyal: yeah, of course... assaf: because in the states, also, for different reasons, also, there was a big wave-- klezmer, and theit kind of stopped. so again. eyal: yeah, because it's boring music. ha ha! assaf: people had to, eh, revive it in the seventies aneighties. and, i mean, also in the states, you will have problems finding a consistent lineage. yaffa: but this is really complex music. it's not like, you know, you can just kind of like pick it up and... assaf: no. at a certa point, it's all the same. [yaffa laughing] assaf: you know? seriously, you have it also when you play with bluegrass musicians. you know them? or irish musicians. you say, "wow! it's amazing! how do they play?" then you realize they just can play this thing. that's what they're doing. so klezmer is kind of the same. it's not concert music. i mean, we love it. it's amazing. it's clever, and it's weird, but it's also iectious. these melodies, you can play them at an airport in japan. you play, like, 3 melodies like this, five people