, but then he listened to esenstein’s lecture in america and realized that he needed study with ezenshteinrrived there, entered that workshop , which actually became the main one for isenshein, and with the help of teaching, he basically came out of this drama, even the tragedy with mexico, we have a memory of the same leida, how is he such a boy who came from a completely different culture, he says, sergei mikhailovich , why are you teaching everything, don’t make a new film, according to him, later, he grabbed his stomach and said as much as i can. give life new film, if i had not yet given birth to the previous one, and leida writes down what a fool i was that i reminded him of this at all, and for leida it was also such a living connection, yes, and he completed a course with the master, but but he did not stay in the soviet union, did not become a director, returned, and then not only accumulated information there, he translated texts from einstein into english, he was the person who published esenstein’s first book, what esenstein had wanted to do for so long, he was going to... to e

earn goes into the common pot, but whoever earns, again , well, in principle, mainly with his name ezenshteinut on the contrary, on the one hand , this short film has such a reputation that it ’s quite a, well, vulgar story, the girl just sits there, so that it all looks as beautifully lush as possible, on the other. exactly yes, it’s glamorous, in general - then some sculptural figures appear there, these types of nature appear there, all this creates a rather ironic context, actually, recently there was a very interesting article in the journal cinematic notes, just the same e, in which the hypothesis was assumed that the entire film was invented precisely with esenstein’s sense of humor, but in general this remains a hypothesis, since the film - in general... not much can be isolated from it, but here the first thing that jumps out is prologue in your eyes, because in the prologue - we see just such a rhythmic sound experiment, and we can see, in fact, how - isenshtein really in this case samshtein came into contact with sound for the first time. so, in fact, that’s why it’s important that

don’t care where you get it, but i need it now, i repeat, i need it number of the monologue with ezenshteinr the number is not on my table. can you look for a new job, girl, are you at an interview, for an interview, yes, for the position of a supervisor, or not, but yes, of course, sorry, i’m just worried, very much, better come tomorrow, why, boss, completely out of sorts, hello , i came to talk about your son, i’m olya, whom you forbid your son to marry, i came to find out why, maybe there’s something wrong with me? no, everything is so with you, perhaps even too much, well, we have scheduled a wedding, you you know, i’m damn hungry, maybe you’ll keep me company, we’ll talk there, thank you, please, you still haven’t answered my question, why don’t you want edik to marry me? you see, if edik marries lidochka lyubarskaya, it will make it much easier for me to conclude deals with her father, maybe we will even unite, that is, this is a purely commercial issue, of course, nothing personal, especially since lyudochka does not have half of your charm, well, what about feelings ? are you not i

creative process, and this is probably the most interesting thing in this case, it was podcast ezenshtein 125, film historian natalya ryavchikova and... artyom sopin, goodbye, hello, dear tv viewers, you are watching the podcast triggers with you its hosts psychologist tatyana krasnovskaya psychologist psychotherapist sergei nasibyan visiting us today is maria. hello, maria, hello, tell us what you came to us with? oh, i’m currently 35 years old, i live with my mother, and uh, i’ve never had a serious relationship, and i’ve never been married, i don’t have children either, in the future i would plan to start my own family, i would like to, but i don’t want to leave my mother alone, my mother is 68 years old, she is a lonely pensioner, she sits at home all the time, alone, somehow she has no friends, no girlfriends, not even pets, nothing, and i really don’t want to leave her alone, i think, it’s somehow cruel, i’m a very ematic person, very kind, it’s hard for me to decide, to decide whether i should build my happiness, my family, or continue to live with my mother, but then i kind of sac

there was such a person , his name was sergei mikhailovich izenshtein, imagine, the fact is that ezenshteinfelt incredible respect for people capable of turning the world upside down, he considered himself the same and was not at all afraid of arrests or any stalinist influence, only with such a worldview was it possible to do what he ultimately did, that is, he reflected some movement, some change, of the mass expression of the will of nations, which at first seemed spontaneous, but then acquired some, some organized features, in battleship potemkin in the strike in october, the achilles heel of einstein’s work was still its somewhat archaic nature. sergei mikhailovich clearly understood that it was not my cinema that achieved the greatest emotional effect, with its hyperbolism, with its emphasis and cameras, and some excessive acting, as soon as sound came to cinema, immediately all... emotionality went to waste, misenstein tried how he could extend the period of nimvo cinema in mexico, where sound cinema, of course, was bad due to technological backwardness , and then alexander nevsky ma

anyone who was able to stick to his line, or rather, such a person was called sergei mikhailovich ezenshtein the fact is that ezenstein considered himself a figure absolutely equal to stalin. he felt incredible respect for people capable of turning the world upside down, considered himself the same , and was not at all afraid of arrests or any stalinist influence, only with such a mentality was it possible to do what he... eventually did, that is, it reflected some movement, some change - the mass expression of the will of nations, which seemed at first spontaneous, but then acquiring some organized features in battleship potemkin in the strike in october, the achilles heel of einstein ’s work was still its somewhat archaic nature, sergei mikhailovich clearly understood that it was not my cinema that achieved the greatest emotional effect, but with its hyperbolism, with its emphasis on the camera and some excessive acting, as soon as sound came to cinema, all emotionality immediately began to wane. esenstein tried as best he could to prolong period of a little cinema in mexico, where... with

there was such a person, his name was sergei mikhailovich izenshtein, imagine, the fact is that ezenshtein considered himself a figure absolutely equal to stalin, he felt incredible respect to people capable of turning the world upside down, he considered himself the same, he was not at all afraid of them, neither arrests, nor any stalinist influence, only with such a worldview could he do what he eventually did, that is , he reflected - some movement, some a change, a mass expression of the will of nations, which at first seemed spontaneous, but then acquired some, some organized features, in battleship potemkin, in the strike in october, the achilles heel of einstein’s creativity was still its certain archaism, sergei mikhailovich i clearly understood that it was not my cinema that had the greatest emotional effect, with its hyperbolism, with its emphasis on both the camera and some excessive acting, as soon as sound came to cinema, immediately all the emotionality went to waste, miinshtein tried as best he could to prolong the period of silent cinema in mexico, where talkies were of cou

earn goes into the common pot, but who earns, again , well, in principle, mainly in their name ezenshteinutifully lush as possible, on the other hand, yes, glamorous, but in general, then some sculptural figures appear there, these types of nature appear there, all this creates quite ironically, in fact, the context is that recently there was a very interesting article in a magazine, which suggested the hypothesis that the whole film was invented with esensteinsky. sense of humor, but in general this remains a hypothesis, since the film, in general, does not have much you can isolate it from it, but here the prologue is what catches your eye first, because in the prologue we see just such a rhythmic sound experiment, and we can see, in fact, how isenstein, indeed, in this case, isenstein himself came into contact with sound for the first time. so that’s why it’s important that they’re in berlin for a reason, they sat there. waited for a visa, there is even more of a story that they arrived, and they were told that the invitation was cancelled, they need to wait for a new invitation, they

there was such a person, his name was sergei mikhailovich izenshtein, imagine, the fact is that ezenshtein

creative process, and this is probably the most interesting thing in this case, it was a podcast ezenshteinm maxim tronkov, and for me personally, our most long-awaited guest, the great tatyana anatolyevna tarasova. hello, tatyana anatolyevna, hello maxim, thank you very much for such a performance, i will try, thank you for honoring us with your presence and i will try today , me too, tatyana antolyevna tarasova is a name that for all, probably our tv viewers, is almost synonymous figure skating, my name, every time it is said, i think that people who love sports and ice remember my father, the great coach, coaching genius, vladimirovich tarasov, and we... try so hard, but tatyana anatolyevna , i'm like in some ways, naturally, yours, and as in some things, in almost everything, i am your student, i can say that for me you are a coaching genius, you are a worthy daughter of your father, an excellent accomplished specialist, the most famous name in figure skating , i tried not to let you down, this is what is happening now, all this consideration of the case of kamilla valiev and the statem