leo cocky learn from fahey.w generation has these new musicians to slow down and learn a note by note. on the technical side, when you write, maybe do not want to give away your secrets, but are you writing in real time, at that tempo, or do you write slowly and learn to play faster? >> i used to do everything intuitively, did not write music, i would not think about what i was doing. i would fiddle around -- i use a lot of alternate tooting. i would emerge a few hours later and say, this is what i have got. it was a cathartic experience for me. over the years, i have become a little more analytical. today, my approach is a balance, and intuitive process where you allow yourself to empty your mind a little bit and let stuff come in so that you can experience what is going on around you in a way and translate that into musical experience. >> it is interesting you talk about emptying your mind. there was a brain imaging study published where my colleague, charles lim, a narrow scientist, put some composers in an m