i'm afraid i'll make a mistake, but faina ranevskaya, are you right? 3,000 in your account, fourth question: which of these actors remember us as the voice of boa constrictor, crocodile geni, gromozeki? livanov, there are no other options... maybe, quite rightly, this is vasily livanov. fifth question: on the set of the film, the children's doctor, the baby, who according to the plot was supposed to cry, fell asleep, and they decided not to wake him up. who brilliantly cried instead of the child? well, just like in the movies they choose according to the texture of faces, there they choose according to the texture of the voice, but no one could do it better than wine. did whitson cry? why not? no no no. this is the wrong answer. we will find out the correct answer a little later. here's the sixth question. who took part in the russian dubbing of such films as mr. pitkin behind enemy lines, how to steal a million, scam in italian. mr. pitkintel of the enemy is one of my favorite childhood films, so this is vidsin for sure. this is vitzon, yes, in the fi

the great faina ranevskaya spoke with undisguised sadness. that the companion of glory is precisely this of the order of glory were awarded during the great patriotic war and the title of hero of the soviet union. two artillerymen, a marine and a representative of this branch of service. pilot, pilot, right, ivan drachenko, attack pilot, film towns costing a thousand, for the filming of this film based on the novel by alexei ivanov, in 2019 near the village shchogolevo, moscow region, built a model of the ostrog fortress, the heart of parma, the heart of parma, right, alexander. 600 towns next to this lenin museum-reserve there is a large film town, where films and television series are still sometimes filmed. this is gorki linnin exactly film towns for 800 pavilion filming of the film summer interlude about bolerini's prima, this director moved it to a film town near stockholm, the management of the royal opera did not allow filming there, in the town of 200. to chanchu, which is in the northeast of this countries, there are both movie coasters and a film studio, a film festival is held

about is an exhibit that entered the museum during my work at the museum , this is faina's letter georgievna ranevskayas, a journalist and her friend. why did it make such an impression on me, because in this letter i saw the reaction and pain, probably, of the population not only of the entire soviet union, but of the entire world, at the death of the first cosmonaut on the planet. i can even quote a few lines from there, because i worked a lot with this letter.... there are probably two such fragments that i can now reproduce, the first the fragment sounds as follows, fayina georgievna ranevskaya writes that day i played scenes from somov, and when i returned home i drank vodka alone, this has never happened to me, it’s immediately clear how people perceived the death of the first cosmonaut, and even further she writes, she says, why didn’t gagarin... they said that he now belonged to the world, and not to himself, and they allowed him to fly, and i this letter in special gloves next to special people from the funds, i held it in my hands, this of course produces a colossal impression, giving , did y

local fertile soils gave the world anton chekhov, mikhail sholokhov, faina ranevskaya, rostislav plyatfyodor, etc. paste and many other talents brought glory to this land. but a new crop of talented young people is growing and studying at the southern federal university. rostov-on is the southern capital of the country, a city with a population of more than a million people. century winds from the sea of ​​azov and the quiet don, saturated with the aromas of wildflowers and juicy cereals, create the impression that rostov is on don, all-russian resort. pyotr rykov, born in veliky novgorod, grew up in smolensk, lives and works in moscow. in the past, a star of world catwalks, and now a popular theater and film actor. one of peter's last bright roles on stage, ernst ludwig in the musical cabaret of the theater of nations, where peter sings in... and german, by the way, besides them, he also speaks italian. in general, i really like to study. it so happened that i have a musical, linguistic and acting education, and i would have also received the fifth and tenth, but time is sorely lackin

zemlyachki, my favorite movie character performed by ranevskaya is the stepmother from cinderella, and my favorite cartoon character, voiced in the voice of fainaysh and carlson. hello, this television, bronze sculpture, depicts ranevskaya in the image of lyali from the film foundling, they say the actress did not like this role and was irritated every time it was addressed to her, mula, don’t irritate me, but people’s love has its own rules, i fell in love and was remembered monastic lala, and her image, and an umbrella, the year 1918, fanny feldman in rostov, works in a circus crowd and dreams of getting an appointment with pavla wulf, the famous... choose any role to appear to her. faina chose the role of an italian singer, found an italian baker in rostov and began taking lessons from him in the italian language, facial expressions and gestures. translated from italian, the phrase sounds: i am a good actress, i need this role. after showing pavle wulf’s monologue, she said, i think you are capable, i will study with you. as faina georgievna said, it was wulf who saved me from the street, and i owe it to her that i became an actress. the dea

seventies of the last century, in the mossovet theater , the play silence with rostislav plyat and faina ranevskayaare separated by their own children, has been a hymn of love and humanism for 13 years. in this performance, faina georgievna appeared on stage for the last time on october 24, 1982 . 40 years later at the lenko mark theater zakharov, director anton yakovlev offered this role to anna yakunina in his version of the production of the last train. to be young and beautiful. it’s not scary to switch to age roles, initially i had conversations with anton yakovlev, because that’s exactly what i was afraid of, i was afraid that after all, this train of plyata with ranevskaya, it’s for very old people, it’s touching, it’s painful, it caused pain precisely this, such helplessness and old age of these people, then, probably, we found a solution that i don’t play an old woman, i play a theme, a theme, how would i talk about these people, about the relationship between parents and children, with a slight hint that i am not a young woman , i was, every day, every second, every minute, all our lives,