take us through this, faiza. his family's life. take us through this, faiza-— this, faiza.faiza. this is a story of a i translator that hasn't been able this, faiza. this is a story of a - translator that hasn't been able to translator that hasn�*t been able to get out, someone that stood along while his troops, british troops thatis while his troops, british troops that is hiding from the taliban. have thought he would be helped if it came to the situation, and it hurts me to say, but we�*re not a country that honours our commitments. that�*s what it looks like to these people. there was so much hope that was given when the uk in the us troops went to afghanistan, and we haven�*t been told, we�*ve been lied to for many years about the situation there. we were lied to just a few weeks ago when we were told there was no time for the taliban to come back in this way —— no chance. there�*ll be a lot of anger here in uk and the us and the west about how much money has been spent and how this has been dealt with. but also on the ground in afghanistan. when you talk about nations

as we look at these images, faiza, line. as we look at these images, faiza. some _ line., some of _ line. as we look at these images, faiza, some of the _ line. as we look at these images, faiza, some of the paratroopers l line. as we look at these images, l faiza, some of the paratroopers are smiling, some of them clearly deep in thought. you're wondering what they've experienced, and that headline, as rob was saying, lots of people eligible to come to britain are still there. thejob is not done? are still there. the “ob is not done? w are still there. the “ob is not done? . , are still there. the “ob is not done? ., , ., ., done? no. it is a road flexion across the — done? no. it is a road flexion across the papers _ done? no. it is a road flexion across the papers about - done? no. it is a road flexion across the papers about this. done? no. it is a road flexion l across the papers about this 20 done? no. it is a road flexion - across the papers about this 20 year mark _ across the papers about this 20 year mark -- _ across the papers about this 20 year mark. —— reflec

thanks to rob merrick and faiza shaheen. goodbye for now. hello, and welcome to the film review with me, anna smith. i'm filling in for mark kermode to review this week's releases. so, legend has it that if you look in the mirror and say his name five times, he will appear behind you. candyman. anthony... candyman. anthony, no. candyman. stop! stop it. candyman. stop it! 0k. you better not do that. 0k, 0k. whispers: candyman. you play too much! ow, no, stop! yes, the candyman is back. while there have been other sequels, this is framed as a direct sequel to the 1992 horror about a supernatural killer with a hook for a hand, who is hunting the housing projects of chicago's cabrini green. fast forward to the present, and the area's being gentrified with luxury loft condos. it's a comfortable life for visual artist anthony, played by yahya abdul—mateen ii, and his gallery director partner, brianna, played by teyonah parris. at least until anthony decides that the best way to get artistic inspiration is to invoke said candyman. let's just say hi

rob and faiza, good to have you with me.of uk military personnel from afghanistan after 20 years. it writes that the pm promises to honour the sacrifices of those who fell. and a look at those left behind. the sunday times focuses on the eruption of a �*blame game' in whitehall over the thousands now trapped in afghanistan following the end of the evacuation mission. the final stages of evacuations from afghanistan also lead the front of tomorrow's observer. it reports on claims that �*thousands�* of emails from charities