your falsetto. if i had to do a list of the top ten most well-known, most appreciated falsettos.ou would be on the list of the top ten ever, i think. >> thank you. >> how did you develop that? i guess what i'm asking is, as a child who were you imitating? because everybody starts imit e imitating somebody before you find your own voice. >> ♪ it's all about de dionne warwick. i always tell her just how much i embraced her. the way her phrasing, her lyric sense. and you know, just like -- and really, myles davis too. the sounded of the trumpet. so i was always mimicking female vocals and stuff, i think because of the emotion of the singing. but i'm a natural baritone. so i studied opera baritone in college. >> that's quite a gap. >> yeah. so it's been like hooking them all up, you know, between the baritone and wherever else i go upstairs. >> yeah. prince, as you may know has been a best on the program many times. and we've hung out and had conversations all around the world about music. he will tell you very quickly that when he hits certain notes or on certain songs he prefers to