to be a writer, to be a really good writer, what i learned at feetfeld," learning at the of jerry seinfeld and larry david is to look at your life for the own funny ideas, because those are the most unique and hilarious. manicurist with elaine, talking about her behind her back in korea, that happened to me, and how great to make it an episode, and also using my idea,ness in using the and i doubt that a man would have come up with the idea, but my advice is a little unique in the book. most people would tell a comedy writer to write a spec script of the show you like, try to get an agent, and submit it, and maybe a door will open. i think the odds of that happening are zero to nine the. it is interesting advice but not practical. what i tell people to do is whatever show you love and want to write on, try to get a production assistant, the lowest , that you canter get. just get into the machine. i have seen so many people in comedy rooms over the years who started as runners, who started as a person who got the writers coffee, and then they hung out in the writers room, and they were funny