began, is, well, one of those... impulses for thaw cinema, and then, it is clear that fellini’s cinema, far beyond the limits of neorealism, this phantasmogoria of guer and fillini, it seems to me, is very close to parajanov, and fellini also recognized this, as if, yes, and this is a famous story, that when felline’s letters reached parajanov, and already on zone , they asked him who it was, and he, it seems to me, is very characteristic of apraggiano, of his humor, of his kind of uncontrollable fantasy, and this is my brother, fedya, our grandmother was an italian communist, so here we are separated, some kind of indian story, but very some kind of true in a psychological sense, really, absolutely, and it seems to me that this is no coincidence, brother, fellini, parajanov, you know, this is very interesting, because she once again proves to us that they are all, as it were, played on the same field, well, it was as if they were creating on the same field, i would add andrei arsenevich there after all, and guera was friends with him, and parajanov, and there is just intertwining, jud

, it seems to me, is very close to parajanov, and fellini also recognized this, as if , yes, and thisv, and already in the zone, they asked him who it was, and he, it seems to me, is very characteristic of parajanov, of his humor, of his kind of fantasy. “and this is my brother, fedya, our grandmother was an italian communist, so we were separated, some kind of indian story, but somehow very true in psychological terms, or what?” sense, really absolutely, and it seems to me that this is no coincidence, brother filini, parajanov, you know, this is very interesting, because she once again told us proves that they all seemed to be playing on the same field, well, as if they were creating on the same field, i would still add andrei arsenich, igura was friends with him, and parajanov, and there is simply an intertwining of destinies, starting with the cinematic ones general works about... extremely poetic, extremely metaphorical, but it’s unclear, i don’t know whether parajanov was talking about this film or another, that viewers don’t always understand his films, and i myself don’t unders

thing, personality is one thing, cinema is another thing, i talked with billy wallner and huston and fellini were all some kind of, well, unattainable giants for me, like you are for us now, but i don’t know, it’s unlikely. i'm nothing i think that i discovered something, those people discovered whole worlds, then it was a time of discoveries, you know, like magilan, well now there can be no magilan, now there is already hawking, you know, there, suppose, or hicks or some discoveries in the field of quantum or something like that, but then cinema opened up new worlds, you know, this... was in the heyday of real deep world cinema, kurasawa in this sense was also an absolutely unique personality, he greatly influenced, the seven samurai greatly influenced the style rublev, very strongly, you just said it, it becomes clear in your head, but scarceza recently wrote an essay about the fact that there are no curators now, but in your youth, yours and his could be seen in cinemas, did you know what to watch? lyosha german, wonderful, operations happy new year, that was the working title, of course,

italian film director, winner of five oscar awards , federico fellini, was born on january 20, 1920. in 1939, the young man became a law student at the university of rome, but never attended a single lecture. on january 21, 1885 , another was born. famous italian, umberto nobele. he became famous as a designer arctic explorer airships. and his terrier always went on flights with nobel. nobeli even became superstitious. if tetina runs on board cheerfully, then the flight will be a success. if the dog was capricious and refused, nobeli considered this a bad sign and canceled the flight. what else is good about the outgoing week, we’ll find out right now in the date of the week section. on january 15, 1988, in the village of molchiny, sennitsa district , the light of zaire azgur, the future people's artist of the bssr and the ussr, one of the founders of the national sculpture school, appeared, a turning point in the life of a young sculptor began by studying in the studio of the famous belarusian painter yudel pen. zair isakovich is the author of many monumental works in the cities of

fellini threatens the displaced in the region. yemen's attacks on zionist ships changed the passage of ships of 18 iranian shipping companies. the international maritime organization announced. 18 iranian shipping companies use the african route instead of the red sea. according to the announcement of this company to divert and change the route of ships to south africa has increased the cost of sea transportation. the yemeni army announced that the ships under he makes the occupied territories the target of attack and stated that the red sea is safe for other ships. the us government has announced that there have been 24 attacks on ships in the red sea so far. in the fourth year of the martyrdom of sardar soleimani and abu mahdi al -muhandis, political and social figures of syria in zainabiyah damascus and the collection. in the historical part of damascus city , mohseniye cultural complex hosted the beginning of the programs of the week celebrating the 4th anniversary of sardar martyr hajj it was qasem soleimani and his companion

for some great, so to speak, italian, french films, directors, what do we know besides bergmann, fellinididn’t have people. who raised it, it was still a very censored movie, i don’t know, i don’t understand, i also don’t fully understand, as if... perception, it seems to me that ours began there perceive and watch cinema widely , oddly enough, in the nineties i found myself , so to speak, a child of this interest, and how are you going to do it so that you get everything from it, let's go, where on the road, i'll tell you, let's go, oh , oh, why are you looking at the folder, swearing, just don’t get attached to him, it’s dangerous, the reputation of the clinic and mine personally are very important, i need all his diagrams specifically, where he hid it, where he transferred it, vadim will be there for a long time, if you can agree, i 'll do whatever you want for you, maybe will you take me into account at least a little bit, i won’t live by your rules, that’s enough , something i don’t like is that you perceive me as a business, container, new series, first of all, a child, he’s more i

except for some great, so to speak, italian, french films, directors, what do we know except bergmann, felliniople who raised - that people themselves are ugly, that people are dressed ugly, and this was repulsive, so to speak , this politicized perception, it seems to me that there they began to perceive our cinema and watch it widely, oddly enough, in the nineties i ended up, so to speak , the child of this is interest, and how are you going to make sure that you get everything from it, let's go? i'll tell you where on the way , let's go, oh, oh, why are you looking at the folder, swearing, just don't get attached to him, it's dangerous, the reputation of the clinic and mine personally are very important, i need all his diagrams specifically, where he hid it, where he transferred it, vadim will be there for a long time, if you can come to an agreement, i will do whatever you want for you, maybe you will take me into account at least a little, i will not live by your rules, that’s enough, something doesn’t suit me do you like that you treat me as a business? container, new series , tomorrow a

besides some great, so to speak, italian, french, films, directors, what do we know besides bergmann, fellinierceived russia as a concentration camp and, so to speak, saw that people themselves were ugly, that people are dressed ugly, and this was repulsive , so to speak, this politicized perception, it seems to me that there they began to perceive our cinema and watch it widely, oddly enough, in the nineties i ended up, so to speak, a child of this - dear friends, we continue, this is the podcast life of the remarkable, my guest is the director, screenwriter, pavel lungin, how did you get into cinema in the first place, you graduated from osipl, philological faculty, and what happened next, well, i suffered, i’m not, not really was adapted to this life, could not find work, for some reason i was kicked out of some research institute, and ksi was such a sociologist. to study specific social issues, then i tried to work in a newspaper, i didn’t know myself, you know, i was of course torn by a terrible desire to live, this energy that then came out of me and is still crawling out, it just burst