patriarch oleksiy, the original is directly in the possession of the current honorable patriarch filaretshkin's language, we must work exclusively only with his copies and talk about the fact that this is a tomos in the direct sense of a tomos. his box started somewhere in 2007-8, when it was about a new version of the statute of the ukrainian orthodox church, which made it independent in relation to the statute that was. until that time , the ukrainian orthodox church was given more rights for what at one time, two more in 2009 at the synod of bishops, patriarch oleksiy at that time made the reprimands with his image public metropolitan volodymyrovych here is something in ukraine without our knowledge they accept some new editions of the statute well, there was a whole interesting story when oleksandr nazarov, a gypsy, and i then gave a specific explanation that we have no place on this document for either the blessing or the signature of the seal of the patriarch of moscow. thus, we actually act according to the document that was adopted earlier, that is, the history of von very big an

oksana k nous was the personal photographer of metropolitan filaret for 5 years, it was she who took last pictures of archpastor oksana, which mark the exclusively professional relationship of the clergyman to photography. first of all, he treated photography and video as a method of preaching, as to the fact that through photography through video, a person who is not churched or little churched can learn about god, about christ, about orthodoxy, about christianity and about, the commandments and the lord will never i didn’t miss a chance, maybe with an insignificant method, like photographs, well, i always tried to preach even here, in this genre, one of the pages of the biography of the archpastor is inextricably linked with the city above the mute. so from 1989 to 1992, the hierarch bore the title of metropolitan of minsk and grozny. this means that he was the managing bishop of the regional center, at that time of development. uh, a very abundant development of the belarusian orthodox church. and today we can testify to the fact that every city of the grodno grodno region and, pr

metropolitan filaret, the future patriarch of moscow and all russia, the father of the first tsar fromanov family, urged rostovites to make reservations from the military false dmitry ii when the city was about to be occupied, uh, rival detachments, he answered them that i would remain faithful. e, faith of the orthodox and the oath of the state. here, and this firmness is a moral feat. he, like no one else, understood that a civil war was going on in the country and, in principle, in fact , an earthly intervention had begun. the only witness of the military confrontation of those years, the assumption cathedral of the rostov kremlin, was built at the beginning of the 16th century, the kremlin itself, other churches and the chambers of the metropolitan appeared only at the end of the 17th century, the metropolitan of philoretes, the townspeople took refuge in the castle walls of the assumption cathedral, as the historical chronicles tell, the detachments that besieged the soldiers kicked out the doors and taught reprisals against people, the vast majority of the rumor that modern resea

tell us what contribution he made to the development of icon painting in belarus, metropolitan filaretnorary patriarchal zarsia of belarus, made a huge contribution to the development of modern icon painting in belarus by founding many new dioceses during his ministry and almost every diocese formed icon-painting workshops . they were very big. uh, because in connection with such a very active struggle against religion, on our lands. ah, in the sixties and seventies. many temples were closed, but with the arrival of metropolitan philaret. they began their renaissance and made a huge contribution to the formation of our museum collection. he contributed by blessing our program in 2009. and nine works of the zhirovichi iconostasis , the museum exposition is located in four halls. here's what guests can see. in each of them in these four halls. the work is presented primarily by a funeral component, we begin the display with icons from the late 16th early seventeenth century. ancient orthodox artistic culture to quizantine samples. eh, there were such strongholds of orthodoxy here, such a

codes, many churches were closed, and with the arrival of the metropolitan filaret.made a huge contribution to the formation of our museum collection by blessing the transfer of nine works of the zhirovichi iconostasis to our museum in 2009. the exposition of the museum is located in four halls. here is what guests can see in each of these four halls. the work is presented primarily as a logical funeral, we start the show with icons from the end of the 16th century and the beginning of the 17th century . samples. eh, there were such strongholds here, orthodoxy, as the mogilev region of the slutsk principality, and in the halls of our exposition we tried to separate these regions and show separately the works of slutsk, mogilev -brest, we collected them according to stylistic features. they proved that they were created in this only region, brest mogilev slutsk and this is also innovative. uh, the idea of ​​this exposition is to bring together once disparate and give emphasis to focus on georeferencing to find icon-painting schools that were just being formed and e fl

at the same time, metropolitan filaret talked to me in the churches the day before the canonization washe last memorial service, and the very next day the sewerage took place, the glorification on february 6 and no more memorial services were served, because she had already become a saint. and how did she survive the great patriotic war, after all, in belarus , the territory occupied by the germans. you know, the lord laid her down to rest sickness and old age. and it was not by chance that he did this, apparently in order to keep this thread between sometimes old, as my grandmothers said in peacetime, not before the revolution, they said, but they say they called it peacetime and the church, which became later after all the persecutions in belarus, so in order to keep this thread, he apparently laid it on this cod, because no other person, probably a priest or anyone else, could do this. it would just be destroyed. well, in the war, yes, in these war years. she lived there in the same house. well, let's see our film crew visited the grave of valentin minska that's what the witnesses th