and stars jimmie fails who plays a man who is desperate to retrieve his family home in the upmarket filmoretrict of san francisco. he has a good friend who he tours around the city with and they have been pushed to the outskirts, and visit this house regularly which is now lived in by a white couple, who he feels don't look after the house properly. he turns up and paints their windowsills. "go away, it's our house," and he says, "well, you're not looking after it properly." he arrives there one day to discover they themselves have been thrown out of the house, there's an inheritence problem, they're no longer living there, the house is now empty. he decides we're going to move back in and he goes to see his aunt to go get the furnishing that used to be in the house before they moved out, here is a clip. your daddy didn't send you here, right? no. you sure? i swear to god. because i hope he's done dragging you into his schemes. auntie, this is for us. 0k. i'm proud of you. i really am. thank you. i miss that city. 0h, ooh! you still good though, baby. you still look good. what i love about

when you talk to people in the filmore they talk about the generations going back playing in this program. they remember kelly waterfield from the 1970s. they remember police coaches they had from way back in the day. sabine modrano is our civilian in the office. sergeant ray padmore does unbelievable things with our cad cadets. i'd also like to acknowledge that we have some command staff people here in addition to chief scott who literally serve on our board of directors. we've got deputy chief ann manox is here. we were deputy police officers 100 years ago. deputy chief david lazar on our board. again, he was a cadet. we've got commander poreia on our board. we have assistant chief moser who was on our board. let me see, did barts -- no, we're missing one of our kids. they got tied up on bart. i'd also like to call up a couple of our cadets. come on up here. we've got aaron hemenes here. this program produced a chief of police. we've had -- we do a summer cadet academy where the kids get to go through a police academy. many of the kids who have gone through this program are now serving

were concerned, including the residents who were skeptical about whether or not what happened in the filmore would happen in the bayview hunters point community. i too was concerned about that. in fact, the public housing depm

were concerned, including the residents who were skeptical about whether or not what happened in the filmore would happen in the bayview hunters point community. i too was concerned about that. in fact, the public housing development i lived in had 300 units and after it was rebuilt through hope 6 which was a whole other program before hope s.f., there were only 200 units built. so clearly, everyone was not coming back. that's why when i first started as a commissioner on the san francisco redevelopment agency and we set out on our path to try and rebuild double rock and other places, it was important to me that we did it differently than we did in the past, so that residents played a critical role in not only deciding what fixtures and windows and how they wanted their community to be, but they remained a part of their communities. so that's exactly what we did. it did require a lot of patience and moving around and a number of things. yes, again, i know that people were a little uncertain as to whether or not we would get this project done because promises have been made over the years and

stars jimmie fails, who plays a man who is desperate to retrieve his family home in the upmarket filmorecouple. he believes they don't look after the house properly. he turns up and starts painting the windowsills. they're going, "go away! it's and he says, "well, you're not looking after it properly." he arrives there one day to discover that they themselves have been thrown out of the house — there has been an inheritance problem, they're not longer living there, so the house is now empty. he decides "we're going to move back in" and he goes to see his aunt to get all the furniture and all the furnishings that used to be in the house before they moved out. here's a clip. your daddy didn't send you here, right? no. you sure? i swear to god. because i hope he's done dragging you into his schemes. auntie, this is for us. 0k. i'm proud of you. i really am. thank you. i miss that city. 0h! ooh! you still look good though, baby! you still look good. mmm. what i love about this — and i think you get a little sense from that — is it has a surreal comic element to it, but it also has a lot of p

and stars jimmie fails who plays a man who is desperate to retrieve his family home in the upmarket filmorend they have been pushed to the outskirts, and visit this house regularly which is now lived in by a white couple. he believes they don't look after the house properly, he turns up and starts painting the windowsills. they're going, "go away! it's and he says, "well, you're not looking after it properly." he arrives there one day to discover they themselves have been thrown out of the house, there has been an inheritance problem so the house is now empty. he decides we're going to move back in and he goes to see his aunt to get all the furniture that used to be in the house before they moved out, here's a clip. your daddy didn't send you here, right? no. you sure? i swear to god. because i hope he's done dragging you into his schemes. auntie, this is for us. 0k. i'm proud of you. i really am. thank you. i miss that city. 0h, ooh! you still look good though, baby. you still look good. what i love about this, and i think you get a little sense from that, is it has a surreal comic element