saint florian's abbey, begun in 1689, is the work of an italian and an austrian-- carlo carlone and jakobrandtauer. in true baroque fashion, the new abbey was a stage upon which royal ritual could be played out by the visiting emperor. paradoxically, the stage usually lacked its leading actor, for the emperor himself rarely visited any of the abbeys. but it didn't matter. the object was not imperial housing. it was to make a political point, to bear witness to the unity of christianity and empire. here we're dealing not with the glorification of an individual emperor, but with the need to assert the divine right to rule of an institution, the hapsburg empire. newly victorious over the turks, the austrians believed themselves to be the saviors of christian europe. they proclaimed their triumph in their art and in their architecture. the karlskirche, or charles church, in vienna, is an example of the power of the christian faith to absorb and transfigure many influences. the gabled portico reminds us of the pantheon. the columns suggest trajan's column in imperial rome as well as the bible'