communicates, cannot help but communicate, naturally, with david siqueires, with diego riveira, with frida kolo, he revolves in this, he spins in this, he cooks in this, and of course this also feeds him, there were no such people in hollywood, or he didn’t feel it, and he didn’t see it. around them, because they may have been in new york, in mexico everything is closer, everyone knows each other, and he is also present in this, and of course, he doesn’t really want to return, sinclair is already running out of money, here he makes , it seems to me, not a very smart move, he writes to moscow, to the state data, trying to demand money, their royalties for translations of his works, and then the story begins to unfold, when suddenly, well, maybe not suddenly, but at the next moment they remember that here... the main director, the author of bronyolos potemkin, is wandering around somewhere, he’s in mexico , in mexico, by the way, tratskytyn has to to return without finishing filming, in fact, this composition of several short stories about different states of mexico, let's say, should have ended