fyodor chaliapin has me.are here with hope kadysheva, as if no one nadezhda and when you found a beautiful voice, well, in childhood, of course, then look at fyodor chaliapin's beautiful voice and prokhor showed up in early childhood. yes, at the age of 9 , fedya was already invited to sing in church choirs, when he turned 15, he decided to try his hand at the kazan cathedral choir. well, in order to get there, it was necessary to go through a rigorous selection for one place , dozens of those who wished, alas, the future world-famous bass failed to win the competition , because just at that time his teenage voice broke, but the performance of a certain young man alexei turned out to be more successful peshkov, who joined the ranks of the eminent choir. as chaliapin later admitted, this painful fiasco was for him for life, and a long-legged 19-year-old rival with a characteristic okusch dialect, he would simply hate hmm, but when, many years later, chaliapin met personally with bitter. everything turned out t

musicians and artists came with performances fyodor chaliapin gave his concert teremok here in this churchof the 19th century and the entire then russian beau monde gathered a fabulous masterpiece of russian wooden architecture made according to the project the famous artist sergei malyutin , an old staircase leading to the second floor. also magical on arrival here. try to take a walk yourself . make sure the situation in the house is also unusual, author's from rostov and bake a carved sideboard chest, which is guarded by the siren bird. happiness, selenium and family well-being a portal to the door of this work is the book itself. she was even exhibited at an exhibition in paris in 1911, and the church of the holy spirit in talashkino is also the author's work of the creator of the temple, researchers, artist nicholas roerich, his famous mosaic. spas not made by hands later, roerich proceeded to interior painting, but the first world war began and the work stopped. however, the restorers it was possible to restore fragments of the painting, which are more than 100 years old. maria felt