about opera, we mean fyodor ivanovich chaliapin, when we talk about fyodor ivanovich chaliapin, we mean opera, drama theater and what, in general, as if above all, let’s say, stands our russian music, russian opera music, we are opening the sixth festival in this beautiful place. theater, with a magnificent orchestra, well, with our friend and with my colleague, with valery gergiy, the program will feature works by composers, french, italian, and russian composers, in oman, secretary of the russian security council nikolai patrushev met with the sultan of the country, they discussed strengthening bilateral relations and the international agenda earlier today russian-mandal consultations on security took place, the secretary of the security council discussed with crown prince aman the situation in the middle east and global challenges. in addition, during the visit, a memorandum of understanding was signed with colleagues from aman. what trajectory will the russian economy develop in the next 3 years and what could prevent this? minister of economic development maxim reshetnikov spoke ab

but this grandeur was greater in the time of fyodor ivanovich chaliapin.omething between, say, the last scene. from my meek, pure heavenly ones , some kind of aura is already being created here. yes, yes, this is the meaning of live singing of living art. that's it, the theater is alive, first of all you need to understand that this is how your work is built. first, apparently, you sketched a sketch from one party or another, and then together with the dirigol kerem. you sit and hone in on the conductor, because conductors are the ear of the audience, who must listen to everything, who must clear the orchestra so that your voice can be heard in the hall . there must be a scrupulous approach to this, right every note, so that it was cleaned, and in the orchestra everyone was made so that every instrument that sits in the orchestra, every musician heard what he was singing from the pit from rocky whose pit that belt. this is very important, if he does not hear, as they say, it means that he is blocking the singer there is a project for the world exhibition.

this year we really have an unusual festival, it is dedicated to our great, fyodor chaliapin, when we talk about fyodor ivanovich chaliapin, we mean opera, drama theater, and what, in general , is primarily, say, our russian music, russian opera music, we are opening the sixth festival in this beautiful theater, the marinsky theater with a magnificent orchestra, but with our friend and with my colleague, valery gergiy, the program will feature works by french, italian and russian composers composers, the primorsky territory became part of the cultural and historical project imperial route, a traveling exhibition , telling, among other things, how the legendary transip was born, arrived at the place where the first stone of the great one was laid. siberian way. the exhibition was examined by andrey kolesnikov. this is the svetlandskaya main street of vladivostok, named so in memory of the visit of the frigate svetlana, on board of which at that moment was grand duke alexei alexandrovich. here is the nikolaevsky triumphal gate or the arch of the tsarevich a structure that was erected in honor of the visit of the t

but this grandiosity was more in the time of fyodor ivanovich chaliapin. the stage last. heights soon. that is, here already thanks, here already. it creates some kind of aura. yes, yes, yes, this is the meaning of live singing of living art. all belly theater. first of all, you need to understand that this is how your work is built. at first you seem to be sketching a sketch. e, this or that party, and then already together with e, experienced with a shared cell. you sit and perfect everything from the conductor, because conductors are the ear from the audience, which must listen to everything, which must clear the orchestra so that your voice is heard in the hall necessarily. oh, here there must be a very, uh, such a subtle approach to all this , right every note, so that it is cleaned out in the orchestra. each is so made to every instrument that sits in an orchestra. every musician heard what the soloist was singing from the pit, what was recorded. this is very important if he does not hear, as the conductors say. so he covers the singer. this is an an