yes, which is clearly written off with gabrilovich and began to talk about the fact that gabrilovichhe twenties and thirtieth, he came actively to the cinema. he is a very interesting writer. he started in general, as a musician he is a master and from the point of view of a master he is this character oleg gabrilovich appears scripts. he defends our heroine pasha stroganova, whom the director took on the role of joan of arc, but someone does not believe. let's see a snippet, come on. i think the situation is terrible. and i think it's great. well i do not know. even begged, not brothers for the lead role. and i'm sick, look at the face. in this cause. some kind of hooligan. i, as the author of the script, insist, but i am indispensable for the replacement . how strange it all looks. yes? that is, why does the screenwriter give any instructions to the director, screenwriters in general. usually no one asks. he surrendered the script. all goodbye. bye bye. we're filming more. without you, i, in real practice and in soviet practice, are very little readable by a modern screenwriter. ye

and panfilov, and at first they give the script to gabrilovich to write, then he gets sick and writesthe archive for nothing, or panfilov's yes. and then jeanne appears and further in the interview. it seems to me here, and panfilov points. he says that at first we decided that there will be a scene of jeanne's renunciation that here is our heroine. we need to show her true height of nobility. this factory girl. yes, her inner world. we transmit through jeanne darke she plays and this is one scene, and then they seem to start to spread , as if there is still more to be staged and more staged and still left, and this is already at the level of the director's script, people at the studio notice, who are very kindly disposed very intelligent. everyone discusses it, but it's strange for them. why is it so much jeanne dark appears in the script, maybe it still needs to be dampened a little, but the question arises. that's just this strong woman and pasha stroganova, who are quite the opposite, and our heroine, the main one of both , should be played by churikova that is, she plays pasha pl

fact that gabrilovich is a person. even in the twenties and thirtieth, he came actively to the cinema. he is a very interesting writer. he started in general as a musician, he is a master, and from the point of view of a master, he is such a character. olya gabrionovich appears scripts. he protects our heroine pasha stroganova, whom the director took on the role of joan of arc, and someone does not believe. let's look at the fragment. let's. well, something else, in my opinion, the situation is terrible. and i think it's great. well i do not know. even begged, not brothers for the lead role. and i'm sick, look at the faces. it's not about that. call it jeanne d'arc some kind of hooligan. i, as the author of the insistence script, she is indispensable. the question is why is there a mounting gluing? somehow everything looks very strange. yes, that is, why does the screenwriter give any instructions to the director, screenwriters in general. usually no one asks. he surrendered the script. all goodbye. bye bye. we continu