gabrilovich and panfilov, and at first they give the script to gabrilovich, then he gets sick, writesetter to the studio , this remains in the archive, yes , i ask my co-authors to read it equally, yes, zhanna already appears here, and further in the interview, it seems to me that panfilov is accurate here, he says: that at first we decided that there would be a scene of zhanna’s renunciation, that this is our heroine, we need to show her really height, nobility, this factory girl, yes, we convey her inner world through joan of arc, whom she plays, and this is one scene, and then they seem to begin to creep apart, as if we still need to stage and stage again and again stage, and this is already noticed at the level of the director’s script by studio people who are very kind-minded. they discuss all this very intelligently, but it’s strange to them, why is there so much? joan of arc appears in the script, maybe she is still needed a little to tone down, and the question arises, just this strong woman and pasha stroganova, who is quite the opposite, our heroine, the main one, seems to h