one fragment a small 12 lines in a libretto not on gadzhanova, shutko where the action unfolded arounds potemkin, and from these lines into a libretto in such a tritment, but a script, and eisenstein built a whole film, which was adopted, which, uh, well, they sort of nodded, yes tasks completed on time were praised. and in general, they were ready to forget, and here the interesting begins, because in the soviet union it was perceived at first. like the majority, of course, not all, like this one. e order, which, for show, let's say, were, of course, people, which were immediately appreciated by colleagues. yes, because actually, when the film came out , there was a very curious cut of responses. eh, in the winter of 25-26 directly, when in the cinema newspaper e, on the one hand, his friends and peers, young and even his younger young avant-garde artists are completely grigory cosine or not. from leningrad, dali’s review was good in just three syllables, but on the other hand , leningradsky is also the director of the older generation, alexander ivanovsky, on the contrary. uh, i wrot