, so they somehow changed sometimes, yes, shirvin could play in the garage, gaft played, gaft startednd if gavt had this role it was really like the second male lead, they uh with the same dynamics, whether they competed with mironov on stage, then count almaviva performed by shirvint is a man already quite tired of some kind of intrigue, this is really a man from... who, in general , doesn’t care about all this anymore, and this is on the screen, even in this film, the performance is felt like this, it’s felt like this, again, some kind of psychophysics of the actor, yes, to put it in serious words, and self-irony, the gap between the actor and the role, it is really impossible to imagine that we would forget at some point that in front of us is not just a hero, but alexander shirvint, but our pleasure from this very often is just... just like a skit, very often these are even aphorisms that are mounted like this, and yes, about they told him that, again, even as a director, there are people who make one big piece of work, and it’s just monolithic, but there are talents who know how

, gaft started here, then shirvent came , and if gavt had this role it was really like the second male kind of intrigue, this is really a man who, in general, doesn’t care a little about all this, and this is on the screen, even in this film-play it feels like that, it feels like that, again, some kind of psychophysics of the actor, yes, if we put it in serious words, and self-irony, the gap between the actor and the role, it’s really impossible to imagine that we and... in some kind of moment that before us is not just a hero, but alexander shirvent, but from this our pleasure very often increases, yes, and does not decrease, even, even in shirvent’s memories of him... and yes, that’s what they said about him , that again, even as a director, there are people who make one big work like this, and it’s just monolithic, but there are talents who know how to assemble from different pieces something sparkling, fun, varied, never boring , this was precisely the talent of shirvint, he was a person who was talented in a small form, this means that this was his form, that is, for him, for his.

played, gaft started here, then further. the second male lead, they had the same dynamics, or maybe they competed with mironov on stage, then count almaviva played by shirvint is a man already quite tired of some intrigues, this is really a man who, in general, doesn’t care a little about all this, and this is on the screen even in this film ... again, some kind of psychophysics of the actor, yes, if we put it in serious words, and self-irony, the gap between the actor and the role, the performance is so felt, so felt, it is really impossible to imagine that we would forget at some point, what's before we are not just a hero, but alexander shirvint, but from this our pleasure very often increases, yes, and does not decrease, even in shirvint’s memories of his work in cinema, all the time we see some such... there are people who make one big piece of work, and it’s just monolithic, but there are talents who know how to put together something sparkling and fun from different pieces. i don’t know how else to mention this, but o

, so they somehow changed sometimes, yes, shirvin could play in the garage, gaft played, gaft startedand it’s on the screen, even in this film performance , you can feel it like that, it feels like that, again what... it’s the psychophysics of the actor, yes, to put it in serious words, and self-irony, the gap between the actor and the role, it’s really impossible imagine that we would forget at some point that in front of us is not just a hero, but alexander shirvent, but from this our pleasure very often increases, yes, and does not decrease, even in shirvent’s memories of his work in movies, all the time we see some kind of funny humorous sketches, well, how did he himself... val his memoirs sclerosis scattered throughout life, yes, this is such a collection of old, well, on the one hand, interviews that he gave in previous years, fillettons , which he wrote for various press, it’s kind of not the same what is a coherent narrative monumental, no, it’s like such a compendium of everything, everything, everything, like a skit, very often even these are aphorisms that are mounted like

what was practically created for him is also what was considered the main role, the role played by gaftvery close friendly relations with rezanov, rezanov, without auditioning, which he thinks shervint really liked, very often called him in his films, even in those films that ultimately did not happen, for example, one of these, well, not the main, but secondary roles, and rezanov offered him when he was preparing the film. robbers a small role i keep remembering ryazanov and maybe a very noticeable although small role in the station for two, and in fact , shirvin even cites ryazanov’s letter in one of his books. i ’m writing to you because i’m afraid to tell you this in person. i have a very small role for you. i ’m retelling it freely now, but i really want you to play it. shirin then wrote: it’s very cool to play episodes with your friends, and directors, good directors, it’s important that two qualities are combined, your friends and good directors, because they are terribly grateful to you that you save them, and you also have the feeling that you you save them for a small role, fo

played king louis wonderfully, and, you know, a wonderful episode was played nearby, for example, gaftmall armored stage, but it was in lenkom that the activity began and gained momentum. nature from god, this is sherwin, the skit-makers were famous, probably more famous in moscow than the performances in which we participate, even faster, come to me, how did you come up with this, who was the brain of these skit-makers, where did this collective thing come from , then... when the late grisha gorin, of course, arkanov, arkasha, who were not yet famous at all and unknown to anyone, got involved there, no, no, but they themselves, themselves, they themselves had such jokes, at night after the performance, they gathered there, in the burnt-out house of an actor on pushkinskaya, and there they joked, there was a wonderful barmaid on the sixth floor, a huge sima. so he came for her, so that god forbid in the evening, she said: no, sit, and he brought food to the warehouse, like this, well, there was some kind of wake then right on graves, that's it. flowers and food, yes, he brought sime, a

didn’t have anything with me, but on the other hand, you’re not used to working with such stars as gaftilm, yes, but this is of course a very good movie, where we met, yes, this, this is the first time. the first meeting, yes, ours was, well, yes, and somehow you weren’t at the rehearsals, because there were hilarious rehearsals, i practically didn’t have a role there, but this was just that happy occasion, of course, when an actress appears at the end of a film, you remember her as the main character, the main character of this film, who says almost nothing, but you remember her forever, this, well, of course, this is basically your... dignity, but also, of course, a case that is simply phenomenal , and you are so, of course, good there, so unlike anyone else, here is the second such person you won’t find, that is , some, you know, some girl from another planet, but it had to be so, because, well, it was impossible not to fall in love with you, of course, i don’t know, unmistakable, and this is the one case, this is some kind of extraordinary story, and if it weren’t for you at the end