arkady petrovich arkady, look what a hard-working girl, you have to take it, 120 years to gaidar, 35 years old museume i wanted to ask if they still publish gaidar, they publish it, they publish it a lot, most often it’s timur, his team, chuk and gek, then they made gaidar . a little younger than he generally wrote, he wrote timur not for the first grade and not for the second grade, this often happens, we perceive both walter scott and fenimar cooper and yes, they are not children's children's children and in general it is very interesting, i am very interesting to look, for example, at a blue cup, through the eyes of a child , well, yes, well, we quarreled with my mother, broke a cup, and left. the question of our meeting, podcast, let them not talk, let them read, but what can a modern person or child find for himself, and what can he, in what he can recognize himself, because it seems like an event from quite a long time ago, well, after all, for a child, well, it ’s the thirties, well, a very long time ago, can i say about the book smoke in the forest, this book was written in our captivity, a p

hello, tatyana valerievna, and the head of the house of the gaidar museum in the city of klin, moscowlo, natalya vladimirovna, and let’s start with this quick survey, what is the most important thing for you in gaidar? you know, this is the first word that for some reason came to my mind - honesty, honesty, decency, loyalty to one’s work. understanding a child, it seems to me that the most important thing for arkady petrovich is that he always remained a human being, despite the fact that he had a lot of trials, in childhood, the first world war, in his youth, the civil war, in adulthood, the great patriotic war, always remained a man who was true to himself, his ideals and never betrayed himself, so... not the front, rear bourgeoisie, well, look, i see a paradox in this letter, dear daddy, on the other hand, as it were teach me how to be a military man, but dad won’t teach him to be a military man, why won’t he, because by and large he’ll join the army, as strange as it sounds, his mother brought him, when his son came one day he said that he was going to the front , mom makes this,

hello, tatyana valerievna, and the head of the house of the gaidar museum in the city of klin, moscowhonesty, decency, loyalty to one’s business, understanding of the child. it seems to me that the most important thing for arkady petrovich is that he always remained a man, despite the fact that he had a lot of trials, in childhood, the first world war, in his youth, the civil war, in adulthood , the great patriotic war, always remained a man who was true to himself, to his ideals and never betrayed himself, mandelstam said a little differently... but even against this background, gaidar has a completely unique biography, you know, i was amazed when this was still just a child, the child is in the fourteenth year, so he is 10 years old, he writes to his father, the father went to the front, and he writes a letter in which he questions in detail and asks very professional questions related to military affairs, this was not in the fourteenth. first of all , i draw your attention to how a twelve-year-old boy addresses his father, dear, dear daddy, he loves his father with all his heart, p

you can, here ’s a great one, well, you see, we have three anniversaries: 120 years of gaidar, 35 years of the museumaidar, wonderful. they publish him, they publish him a lot, most often it ’s timur and his team, chuk and gek, then they made gaidar a little younger than he generally wrote, he wrote timur not for the first class and not for the second class, this often happens, we perceive both walter scott and fenimore cooper and... well, yes, they are not for children and in general it is very interesting, i am very interested to look, for example, at a blue cup, through the eyes of a child, well, yes, well, they quarreled with mom, broke the cup, went on a wonderful trip with dad, this in general , a trip around the globe works out for a child, when you ask the children what the little blue cup is about, they talk about love, well , that’s right, not about the cup, when you look at their eyes. for a child, well, there were the thirties, well, a very long time ago, can i say about the book smoke in the forest, this book was written in our wedge, purely klin work, you know what’s surprising is when

valerievna rudishina, head of the libraries of the arkady gaidar moscow library and natalya vladimirovna perlina, head of the house of the arkady museumsuch a banal question. they go to ask whether the library and gaidar’s book are in demand, will they re-publish them at the same time , it’s a two-part question, we talked about the klin museum , now about your library , they go to the library, thank god, they come, on weekends we work on saturday and sunday, these are most often family benefits to the library; on this day there are always some events , meetings with writers, organized groups come where there is a teacher. which for some reason is ready from a completely different end of moscow once a week, after all, bring the guys, who goes to museums, what kind of people, these are visitors, these are residents of the wedge, well, something very special. people of all ages, all categories, yes, families too, well, if i may, returning to mulcheshuki bulcheshu, they said that yes, the death of a child is shown there, it is difficult to tell, i want to tell you one story when a group came to us from moscow, first grade kids, but when s

tatyana valerievna rudishina, chief librarian of the arkady gaidar moscow library and natalya vladimirovna perlina. head of the house of the museumuestion, they go, are the library and gaidar’s book in demand, at the same time, will they re-publish, at once, a question in two parts, we talked about the klin museum, now about your library , he goes to the library, thank god, he comes, on weekends we work on saturday and sunday, these are most often family days. i’m reading kibulcha, they said yes, death the child is shown there, it’s told in a complex way, i want to tell you one story, when a group from moscow came to us, first grade, children, but when such little children come, i say, let’s tell a little about arkady petrovich, let’s show the animated film of the balchish boy, you know what one mother told me, i don’t allow this cartoon to be shown to my child, because there are violent scenes in it, where he traumatizes the child, that’s all. how can this mother raise two tomboys, how is she not angry when she arrived, god knows where, there is no dad, because no one gave the telegram, if you are a grandmother reading the teleg