contemporary, after all, i played for 10 years in a contemporary, in amazing performances, galina borisovna volchik, when i understood, by my own example, so to speak, experimentally, what stanislavsky means here, today, now, and what is needed for an actor to truly feel the stage, another thing is that he feels, but the audience doesn’t know it, i’ll give you an example, i’m on my knees on the stage, here is the auditorium half a meter away, and in the second act i’m crying, i say, here’s a guy , she doesn’t love me, she doesn’t love me, here i see a woman with angular vision, so to speak, probably, how your mother treats me well, she together with me, that means, and the more my epikhodov sobs, the more she worries, that means for me, and i stand on my knees and think, oh, how good i am, that means i’m playing, what does it mean, suddenly it’s like this in my stomach, prosaically, i think to myself, i think, oh, i think, because i haven’t eaten anything all day, that’s how it is i want, but at the same time, i’m pronouncing some kind of long monologue there, she’s standing next to me, this varenk

admission who taught were wonderful listen having with this family, with evgei sanovich, with galina borisovna volchiksome mutual friends, well here is evgeny sanovich, well, of course, we can only brag that we care about him. then we are all in terms of the level of talent and diversity from such absolute kamism to the highest tragedy , stanislavna pilyavskaya is absolutely such a direct student of vladimir ivanov namirovich danchin , that is, you are the grandson of nimiron. you and i live for each other, through one, through two, no , through one we will through one, vladimir ivanovich, kira nikolaevna golovko, yeah, kira nikolaevna golovko, the famous kira ivanova, actress of the moscow art theater in which admiral golovko loved, already being an admiral, and it was a story that is worthy of literature, and cinema, and a play, it is an incredible love story, amazing, amazing, it was. one of the youngest admirals during the war, either at 39 or 40 years old, he was given an admiral, he won the entire northern fleet during the war. oleg georgivich gerasimov, amazing, wonderful, director, actor, acto

as you understand, it was like that in the cherry orchard in my contemporary, after all , galina borisovna volchik is needed for an actor to truly feel the stage? another thing is that he feels, but the audience doesn’t know this, i’ll give you an example, i’m on my knees on the proscenium, there’s an auditorium half a meter away, and i ’m crying in the second act, i say, here’s a guy, she doesn’t love me, she doesn’t love me doesn’t love me, there’s a woman here, i see with my corner vision, so to speak , probably how well your mother treats me, she’s with me, so that’s why the more my epihodov cries, the more she worries, that means for me, and i stand on my knees and think, oh, how good i am, that means i’m playing, what does it mean, suddenly it’s so prosaic in my stomach, i think to myself, i think , oh, i’m thinking, because i haven’t eaten anything all day, i’m so hungry, but at the same time, i’m saying some kind of long monologue, she’s standing next to me, this varenka who doesn’t love me, and i’m still thinking , so that’s what i’m thinking , so where should i go to buy chicken i want,