i was in the gallery. i wanted to observe. i prepared my own arguments for the pennsylvania challenge to come, i wanted to observe the early states that were challenged. so i stood shoulder to shoulder with dean phillips, hearing those challenges, mouthing the words shame, shame for these arguments. then i remember trying to go back to my office to finish my arguments and a very large police officer stopped me and said there was a bomb threat, please go back to where you were. so i went back to the gallery, i stood there and i heard a series of commands from the floor from i did not know who at the time. "please sit down. please prepare to lie down. please get your gas masks out from under your seat." like many of you, i had no idea. as we fumbled with the gas masks, i headed to the rail, the wall of the rail. i remember calling lucille over to me and i remember seeing veronica in a gorgeous white jacket standing, readying her gas masks and screaming, "get down." then the pounding on the doors. the haunting sound i will never

but i am reminded of that day in the gallery. as i watched a lot of scurrying of my friends on the others of the aisle, we were still in the mood of counting this celebratory moment. i heard our faithful sergeant at arm's staff person shouting, close the doors. we were still in a daze. then i saw the capitol police rushing to close doors and explaining to us, get out, get down. i am always with books and papers. i had to drop them all. i watched members cowering and going, each one in their own way was brave. i know they want no accounting for that. we worked scurrying for the thought that we might not live. i was here for 9/11. i was in the building. any meeting, refused to acknowledge the noise outside until someone busted in and said you have to run for your life. on that day, we were running together, as americans. we were fearful together, hopeful together. when i went down those steps, they said, we do not know what is happening, one for your life, but the rumors in those blackberries where it is the capitol, the white hous

the glass has been broken in the gallery door. this is an insane moment right now. >> nothing like i've ever seen before. >> this is the first time we've seen an evacuation from the capitol of members since 9/11. ♪♪ >>> that was one year ago today, one year almost to this very minute. i was anchoring alongside chuck todd and andrea mitchell. the three of us watching as our democracy was attacked. a violent mob egged on by the then-president of the united states, a mob that chanted about hanging that president's vice president. a mob that according to federal prosecutors used a full range of deadly and dangerous weapons, among them flag poles, hockey sticks, an ice axe, baseball bats, fire extinguishers, tasers, metal pipe removed from the scaffolding on the west front, riot shields taken from police, and their fists. now a year later we wonder if anything is better. in roughly 30 minutes we'll hear testimonials from lawmakers, their memories of that day, as earlier this morning the then-president-elect and now sitting president jo

i, too, was up in the gallery. i wanted to observe as i was preparing my own arguments for the pennsylvania challenge to come, i wanted to observe the arguments of the early states that were challenged. and so i stood there shoulder to shoulder with dean philips hearing those challenges, mouthing the words shame, shame for these arguments. and then i remember trying to go back to my office to finish my arguments, and a very large police officer stopped me and said there's a bomb threat in canon. please go back to wherever you were. so i went back to the gallery and stood there again and heard those series of commands from the floor from i didn't know who at the time, please sit down, please prepare to kneel or lie down, please get your gas masks out from under your seats. like so many of you, like rosa, i had no idea. and as we fumbled with the gas masks i headed to the rail, to the wall at the rail. i remember calling lucille over to me, standing and screaming get down, get down. and then the pounding on the doors

the treasurers gallery, to display, that will be a rotating treasurers gallery, and a youth center to inspire learners of every age. with the recent release of $10 million in fy 21 funds, the library will begin to fund the physical destruction, fabrication, and installation of all phases of the project. the key i.t. modernization initiative continues to move forward, building on our progress to date. this includes modernizing the legacy i.t. systems for the copyright office, crs and nls, which you will hear more about today. for example, we released pilots for the public record system, we are leveraging the latest advances in web-based technologies to upgrade the system crs uses to respond to congress, and nls is piloting a new e-reader and explaining -- expanding the braille service. congress.gov, the official public website for legislative information is in continuous development with new functionality ever did -- functionality added every three weeks based on user feedback. the library is also pursuing technology upgrades for the system that supports the collection activities such

i was in the gallery. was preparing my own arguments for the pennsylvania challenge to come, i wanted to hear chose challenges. i was hearing those challenges mounting the word shame for these arguments. then i remember trying to go back to my office to finish my arguments, and a very large police officer stopped me and said, there is a bomb threat in canon, please go back to where you were. so i went back to the gallery and stood there again, and heard those series of commands from the floor from i didn't know who at the time. please sit down. please prepare to kneel or lie down. please get your gas masks out from under your seats. like so many of you, like rosa, i had no idea. as we fumbled with the gas masks, i helded to the rail, to the wall at the rail. i remember calling lucille over to me. i remember seeing veronica in a gorgeous white jacket standing, readying her gas mask and screaming, get down, get down! and then the pounding on the doors. that haunting sound i will never forget. put on your gas

and from that hub you can go to different parts of the galleries. however, you choose you can either see as early life or you can see us later life. so this slide probably is a little bit easier not quite of an eye chart a little bit easier to see of how it will actually work. you would come in from the welcoming you would come into that hub and then you can choose to go out to any one of these spokes. however suits you. now if you want to do it in chronological order you can you can come up here and see chapter one and two of his life. his life of adventure is what it's titled or you if you prefer you could go straight to chapter 3 through chapter 7, which is his years as a humanitarian with the belgian relief fund all the way to his passing and his years of hope and so i'd like to show some of these to you to to give you a better idea of what of what some of the images are possible for what brc is is helping us put together now. these images aren't may not be exactly what will happen, but are some of the ideas that they presenting to us. so this i

that day. >> we have a signal thread. >> we're the gallery group. >> it's the gallery group. is a camaraderie, having lived through this horrific experience. >> sheer trauma. >> from that very day, we've been connected to one another by this shared experience. we all experienced it, the country did, the whole congress did. but for some of us that actually looked at one another wondering if these were the last faces we would see, we can't shake that. and we have found i think a great deal of strength by talking to one another about this experience that nobody else had. and in fact, i've been quite open about the fact that this event was so traumatic that it caused me to seek help after, in just the weeks after the attack. and for some of us, we've gathered together to sort of joi jointly address those issues, mental health issues. >> however hav far have we come country that we're able to say i needed help. representative gallego, you served in iraq. i understand this day, a year ago, you were thinking about your -- you took out your pen, you were thinking -- and i think, cong

well, there is this wall in the gallery.aybe i will shove myself behind that wall if there is a concern. i started to move down a few rows, and in fact encouraged another colleague to come with me. and then, with that, they said, would you take out your gas masks? they are under your seat. i had no idea there were gas masks under the seats. that stunned me. and so we all scrambled and got the gas masks. i don't know if you saw some of the footage of that, but they were triple wrapped, so we were helping one another, kneeling on the ground, trying to protect ourselves, unwrapping these wrappers, and finally readied our gas masks. i remember looking over and veronica escobar was wearing a beautiful white jacket trying to get on her mask. i thought, she looks like to beautifully target, just yelling at her, get down. they say, please put on your gas mask. the rioters have reached the rotunda and tear has been dispensed. all the while, i have to say there is this may be protective mechanism, where you think, maybe, these are all

up in the gallery, she is wearing red, a as you can see, calming her and others down. colleague and friends was the pool press representative up there what was going on for 20 minutes, you're a veteran, a military veteran. what was going through your head. there was a lot of things going through my head, first of all, most of us made the call. the call to family that none of us want to make. wondering if it is the last call that we would but it came back, and i had to put my emotions aside, put them in a box and set them aside, and do whatever i could to get us out of there to get us into a defensive position, take our pins off so we were not easily identifiable. it was a very tough situation to be in. it is one that a lot of people deal with. we have since lost. >> and congressman, i have to note, also, your bravery and kindness was so critical that day, you helped reporters find refuge when they were turned away from secure areas. >> those of us in the gallery, right along there with jason and the members of the press that were documenting that day, we made a hasty e

january 6th was my first time ever to the house gallery. my team had to walk me there, because i didn't know how to get to the capital. on never forget the buzzing of the escape hoods, the fear when i couldn't open the packaging. the sound of the doors closing, and being locked. introducing myself to my colleagues as we were hiding under the chairs. any cluster grabbing my hand. fashioning weapons out of stanchions and pans, and my high heels. ready to take on the rioters who were banging on the doors behind us. climbing over chairs in under rails, not sure where the rioters were, and if we were going fast enough to escape. them >> i remember, i was laying on the floor. i had this very little bit of juice left in my cell phone. i wanted to call my husband. i want to call stan. i was afraid to say, i love you, because it harkened back to substantial 11th, and those last calls. so, i just said, i'm all right. tell the kids i am all right, they are going to get us out of here. and i hung up the phone. >> i reflect on that day being trapped in

when we come back, we will go back one year ago today, trapped in the gallery. members share their accounts of where they were and how it shaped where we are q1 u one year later. >>>1 u one year later. > u one year later. >u one year later. > one year later. >one year later. >>> program is particular to you. so what kind of foods do you like? avocado. ice cream. sandwiches. no food is off limits. when can i start? join today for 50% off at ww.com. hurry, offer ends january 10th. [ joe ] my teeth were a mess. i had a lot of pain. as far as my physical health, my body was telling me you got to do something. and so i came to clearchoice. your mouth is the gateway to your body. joe's treatment plan was replacing the teeth with dental implants from clearchoice. [ joe ] clearchoice has changed my life for the better. it's given me my health back. there's an amazing life out there if you do something for your health now. i've always been running. to meetings. errands. now i'm running for me. i've always dreamed of seeing the world. but i'm not chasing my dream anymore.

those of us trapped in the gallery, we lived it.he sounds, the smells. we had a front row seat to what lies, hate, or plain old misinformation conjures. we went from victims to witnesses and today we are messengers. we reflect on the fact that january 6th was about so much more than an effort to break into a building. it was an effort to break down our institutions. >> later on this sober anniversary the question of what american democracy will be is very much an open one. democrats have ten months until the next election to save it. just two pills for all day pain relief. aleve it, and see what's possible. and also try alevex topical pain relief. for people living with h-i-v, keep being you. and ask your doctor about biktarvy. biktarvy is a complete, one-pill, once-a-day treatment used for h-i-v in certain adults. it's not a cure, but with one small pill, biktarvy fights h-i-v to help you get to and stay undetectable. that's when the amount of virus is so low it cannot be measured by a lab test. research shows people who take h-i-v

along with the spacious plant hall, it also has room for sculpture and picture galleries, fountains, arcades and terraces. the entire complex has a mediterranean flare reflecting the king's love for italy. the palace measures over 300 meters long. even so these 3 mansions are only a small part of the palaces and parks of potsdam and berlin world heritage site. there's much more to see here. ah. between forms and dom stunt stands, lord abbey, a prominent center of power and the middle ages. today, only 3 structures from the original benedictine abbey survived. a section of the monastery wall, the former abbey church and the 9th century. our love azia, the entrance hall. it's original purpose has never been determined. it's one of the few carolyn jin era buildings to survive more or less intact. a leap north takes us to the old town of gus law and the hamas bag mine in the middle ages. goslin was a royal seat where holy roman emperors held imperial sentence about 2 thirds of the old towns, buildings are protected. the decoration indicates the status and wealth of their one time owners.

i was in the gallery. the officer came up to the diocese and said the capital has been breached and it was like someone had told me someone my family had died. i couldn't believe it. we were then told to pick up these gas mask and open them up and i was trembling. and then we were told to just crawl under the brass railings to get to the other side of the gallery were then told to life flat on the ground . take her member pins off. and i remember the gun shot in the speaker's gallery speaker's lobby go off and i just put my cheek to the floor and oh, my god, i'm going to die. and 43 years earlier, i had been on an airstrip in jonestown, guyana, with five bullet holes in me, and i survived and i thought, my god, could i possibly die here? in this tabernacle of democracy. so it was a very painful day, and i must say that a year later it's still very painful because we still have so many members that are now denying that it even happened that are saying that it was, in fact, tourists coming through the capita

they were in the gallery about the house floor where the press and the public usually sit during legislative sessions lawmakers and journalists recorded videos. we will watch a little of one of the videos and hear from a couple of members c-span interviewed about their experience. >> i was communicating and officers to tell them we were trapped in the chamber. eventually, they said there was a reaction force that was going to come and get us out. what appeared to be a swat team was able to push their way through the riot and clear a path. we got word they were communicating via radio that that team was on the other side of the doors, so we opened up the doors and started to move out in small groups. a series of three or four groups at a time before moving out, about two dozen members, a dozen journalists and officers. at the same time, i was coordinating with a few members on the house floor that were telling us to all get out. i remember talking to mark mullen. i said that he needed to get out, too, because that he was staying behind, that would jeopardize the officer safety as well. and i

the gallery had a photo shoot to mark the occasion. 100 years ago it was shipped to the u.s.a railroad magnate from the duke of westminster. thanks for watching "bbc world news america." narrator: funding for this presentation of this program is provided by... man: bdo. accountants and advisors. narrator: funding was also provided by, the freeman foundation. by judy and peter blum kovler foundation; pursuing solutions for america's neglected needs. and by contributions to this pbs station from viewers like you. thank you. ♪ ♪ narrator: you're watching pbs. ♪ da-da-da-duh-da-da-da♪ ♪ da-da-da-da-da-da ♪♪ captioning sponsored by newshour productions, llc >> woodruff: good evening, i'm judy woodruff. on the newshour tonight, tensions rising-- the u.s. puts thousands of american troops on heightened alert as the threat of russian moves into ukraine grows more serious. then, volatile markets-- major stock indexes take a steep dive then regain the day's losses amid ongoing concerns over inflation and interest rate hikes. >> there's a lot of concern in markets about how fast the fed

stuck in the public gallery of the house chamber that day, the last to leave the house chamber. "the arizona republic," come usually in -- confusion and fear , using the same headline in montgomery, close to the same headline. this one from california, headline, january 6, 2021, a national day of infamy. more pictures from that day from a year ago. we're keeping track of member tweets and reaction and what is going on leading up to all of these events on capitol hill. here is just a flavor of some of those tweets this morning. this from a congressman of new york, it has been 365 days since republicans tried to end our democracy and install trump as a dictator. do not ever forget, because without accountability, the next republican coup will succeed. this from a democrat of new york, our nation's democracy went through a trauma and a mob storm, and death threats were made with hope of destroying democracy. and these tweets from about 15 minutes ago from former congressman bob good, republican from virginia. saying, a year ago, i condemned all violence. it is not the answer to our

. >> i was in the gallery, i was one of those clamoring to get to the other side of the gallery, climbing under the brass railing. we were told to lie flat onto the floor. i was fearful for my life. and then the shot rang out in the speaker's lobby, and i thought oh, my god, we're going to die. and i remember placing my cheek on that cold floor in a sense of resignation that it was going to end here in this tabernacle of democracy. and that was after 43 years earlier when i was shot in guiana and survived. so it was a very painful home. and i can't begin to tell you how threatened this democracy really is. >> we really appreciate your honesty and candid comments. representative desaulnier, you were in a room with the initial rally. what did you see and what was going through your mind at that point? >> well, first of all, let me say how grateful i am for the service of my colleague jackie speier and what she just said. i was off the corridor of the capitol of the house chambers where jackie was. and i was looking, this is my view, on a, it was segregated out because at the time i was stil

the 2 women design the exhibitions to hear it calls raj. natasha gallery. they decorated one space to look like a $70.00 hotel, bobby low, sam roselle. we had fan creating an ambience a bit. likewise, anderson, it's something we like to do a lot because it was an extension of how we tell stories into this and an invitation for the public to understand how we work as artists of how we discover a place to observe things on the details. text is in colors that den inspire our stories. it's our own universe. we're presenting you back hopeless. children's bedrooms can also feel like private university. james madison, travel the world photographing where children sleep. ah, child fantasy and reality of image. what would the world look like if we were made by children may be like this. the domain, a full year old kaya from tokyo. a child's room often reveals the biggest streams. samantha from new york is a 3 time karate will champion who trains 4 hours a day. this is her bedroom other times a place where a child placed the head for the night provides insight into t

have been left here by an alien civilized, could be wrong, had been making art for years before a gallery in italy, gave it a li, afro future. i didn't know about the future that my 1st time to hear that was about for future series of eyeglasses called thief stunners, made to bureau famous, constructed from crash collected on his travels. there are mash up of different cultural tradition to me after that is for future late. it's a combination of different culture, decent material from like global. but it's something and you can see more often these live more asia know it's more awful future kind of a series of pictures from canyon photographer osborne cherry re imagines kenya's legendary mouse independent fighters as high tech optician who helped overthrown colonialism for much area afo. futurism is about reclaiming an african past either stolen or forgotten. and all african countries from the colonized and people didn't get to settle, see that history or see themselves in the history or a lot of that history was not documented or was his models are those ignored or abandoned by society n

could have been left here by an alien civilization. bureau had been making our for years before a gallery in italy gave it a late afro future. i didn't know about a full feature that my 1st time to hear there was not for future a series of eye glasses called ceased hunters made capiro, famous, constructed from crash collected on his travels. there were mash up of different cultural traditions for me after that. his love for future light. it's a combination of different culture. different material, different from like global. but it's how something new comfy you'd be a little more awfully. can they look more asia? no, it's more awful feature kind of a series of pictures from kenyan photographer osborne cherry re imagines kenya's legendary mouth independent fighters as high tech optician who helped overthrown colonialism for much area afo. futurism is about reclaiming an african past either stolen or forgotten. all african countries from tokyo were colonized and people didn't get to settle. see that history or see themselves in the history or a lot of that history was not documented or was

could have been left here by an alien civilization . bureau had been making our for years before a gallery in italy gave it a li, afro future. i dunno about a full feature that my 1st hope to hear. there was a for future a series of eye glasses called c stunners made copyright famous, constructed from trash collected on his travels. there are mash up of different cultural traditions for me after that is of for future light. it's a combination of different culture. different material will differ from like global material. it's how something new quantity. you to be a little more awfully. can they look more asia? no, it's more awful feature kind of via a series of pictures from kenyan photographer osborne ma cerio re imagines kenya's legendary mouth independence fighters as high tech opticians who helped overthrow colonialism for much area afro futurism is about reclaiming an african past either stolen or forgotten. and all the african countries from utopia were colonized and people didn't get to settle. see that history or see themselves in the history or a lot of that history was not docume

the match is between below ground fault or world war ii korean war unknowns and the gallery, public gallery where people pay their respects when they visit the cemetery. >> here is an interesting question. got to love our listeners, they are so creative. do you have any information about why it was used instead of beer, fire or -- because catapult has religious overtones. >> that is something i've learned over my years working scholarship in the historical society, incredible questions from our audience, i have to say i actually don't know the answer to that but that is fascinating. i imagine i better be careful here because we are a historical society and we want to make sure we give you accurate information, i imagine the term was selected during lincoln's laying in-state and lincolns state funeral processes commemoration because everyone use that term was selected even when they rated a second one especially creating a second exact replica. i don't know the reason that that term was selected at the time but that is an excellent restaurant, you've got to love our audience. >> i love our a

we caught up with them and kept her at an exhibition in the stevenson gallery. when a good one, the works on display are diverse, photographs, paintings, and installation the document and celebrate the lives of south africa. lesbian, ag, trans, queer, and intersects communities with the world is visual in the world is a globe of pixels that forms a picture. so to make sure that we have like, good, high quality pixels, it means that we need to write this history. and l m a wholly, grew up in lousy, a township near durban, in the 1970s. that was during the apartheid era when south africa white minority ruled over the country's black majority. holly was in the early twenties from south africa, held its 1st non racial democratic elections in 1994. though well came to south africa document. elections are fest at elections in a lot of us who are so definite. ken's who had elections, who have what's in the couldn't access our own history, our on visual history. how sick is that? that's why them. i wish i had an opportunity to document that fest so deaf that can electio

in national portrait gallery has announced the portrait of the nation honorees in 2022.according to the gallery's director they were chosen for their efforts to address social inequality. this includes josÉ. and serena williams. this is going to be a long wait. are they all going to have masks on? i think it's only appropriate. he is a colorful character and does a lot of things. i think they should all wear a mask. is this the actual portrait? >> the portraits have not yet been released. >> maybe we could offer our own renderings. lets make this real equity. we identify as painters. we can get working on this now. >> the left attempting to ban an american classic. going to battle against a racial arsonist. the details coming up in moments 's of course it remains one of the most important american literary works of the 20th century. she once declared this our national novel. why is today's left wanting to ban this from schools. they just voted to remove this from the ninth-grade curriculum. they are saying the students have shared their experiences and thoughts with the