party panel is back, gary hoffmann, kevin walling and olivia rondeau.want people to die from fentanyl overdoses? >> , no. that seems pretty simple. kennedy: what's wrong with telling people how to not die from fentanyl overdoses? >> there's nothing wrong with how to not die. actually, i'm a supporter of fentanyl test strips, i think they should be, can be given out as a tool for people to understand they are in the grips of the disease and there are ways to get help but to tell people they are empowered when they do it, to me that's weird because it leads to the next step. you're prettier when you're doing heroin or more handsome with fentanyl blowing out your nose. that to me is the logical step to take but the idea you can tell people listen, drugs are bad, okay? drugs will not make you any healthier, there's no safe way to inject drugs into your body or snow them into your nose but we don't want to die so here's how we can prevent you from dying. we hope. that's a better message than feel empowered to do the drugs whenever you want. kennedy: i agree.

tomorrow night gary hoffmann, olivia rondeau jimmy failla. kenne-dvr it it. who loves you?ay of teamwork, and technology, and skill that i've ever seen. so when we discussed the stories that we wanted to tell on this season of "how america works," i said, "whatever else we do, let's make sure we get our cameras "aboard a nimitz class nuclear-powered aircraft carrier. "the story will shoot itself." well, we did. and while the story didn't exactly shoot itself, the footage does tell an undeniable tale of excellence. tonight, you're gonna meet a few of the 6,000 americans

garis create an accompaniment with a comic verse. pavel hoffmanne musical bundles, it all fell, as they say, on the shoulders of ezhilizatsiya, and that's it. it was created for the decade of belarusian art for a concert of the state jazz orchestra of the bssr accompanied by the sale of thousands of postcards from photographs. smiling eddie rosner, even with two trumpets with jazz programs, listened to completely unfamiliar sounds in soviet music, there are no such chords there were no such harmonies, moreover, it was a whole revolution. the soviet spectator, accustomed to the orchestra and the morian cliff, saw the brothers painting varlamov's shushenka in costumes, and then suddenly the first section was white, jackets and black trousers. how is that possible? in the second part, golden jackets and white trousers, how is it possible, if soviet singers went out in bath dresses with a slit from the ankle and below the knee, and then they went out with alika with a slit almost all over the thigh , moreover, the musicians participated in all internet