gaskins are futuristic aeronauts. persian dervish is western. it's also about the type of representation where people are pictured so that their humanity is no purse thing encounter when you look at their pictures and for me the projects all my projects are kind of bringing this humanity about. the series do you know our names there's a similar act of rehabilitation based on images of women's bodies from the same book stereotyped for ethnographic research. a lot of these original images the women were without hair without clothes they were un focused there was like so little representation of their humanity or their dignity or their beauty the painting for me was a type of care i started to give them makeup i started to give them a modern hairstyle i started to give them clothes and they suddenly started to. have an identity and dignity that was taken from the original photograph. her latest project focuses on how the media portrays people who fled their homes compared to more privileged travellers painted on to pages of an expedition report fil

gaskins are futuristic aeronauts. persian dervish is lesser. it's also about the type of representation where people are pictured so that their humanity is not the 1st thing in counter when you look at their pictures and for me the projects all my projects are kind of bringing this humanity about. the series do you know how and mames has a similar act of rehabilitation based on images of women's bodies from the same book stereotyped for ethnographic research. a lot of these original images the women were without hair without clothes they were unfocused there was like so little representation of their humanity or their dignity or their beauty the painting for me was a type of care i started to give them makeup i started to give them a modern hairstyle i started to give them clothes and they suddenly started to have an identity and dignity that was taken from the original photograph. her latest project. focuses on how the media portrays people who fled their homes compared to more privileged travelers painted on to pages of an expedition report f

gaskins are futuristic aeronauts and persian dervish as western. it's also about the type of representation where people are pictured so that their humanity is not pursing encounter when you look at their pictures and for me the projects all my projects are about kind of bringing this humanity about. the series do you know our names there's a similar active rehabilitation based on images of women's bodies from the same book stereotyped for ethnographic research. a lot of these original images the women were without hair without close the eyes were focused there was like so little representation of their humanity or their dignity or their beauty the painting for me was a type of care i started to give them makeup i started to give them a modern hairstyle i started to give them clothes and they suddenly started to have an identity and dignity that was taken from the original photograph. her latest. project focuses on how the media approaches people who fled their homes compared to more privileged travellers painted on to pages of an expedition report

gaskins are futuristic aeronauts and a persian dervish is lesser. it's also about the type of representation where people are pictured so that their humanity is no purse thing that you encounter when you look at their pictures and for me the projects all my projects are kind of bringing this humanity about. the series do you know what our names there's a similar act of rehabilitation based on images of women's bodies from the same book stereotyped for ethnographic research. a lot of these original images the women were without hair without close the eyes were focused there was like so little representation of their humanity or their dignity or their beauty the painting for me was a type of care i started to give them makeup i started to give them a modern hairstyle i started to give them clothes. and they suddenly started to have an identity and dignity that was taken from that original photograph. her latest project focuses on how the media portrays people who fled their homes compared to more privileged travelers painted on to page of an expeditio

magic gaskins our futuristic aeronauts and persian dervish as lesser. it's also about the type of representation where people are pictured so that their humanity. when you look at their pictures and for me the projects all my projects are kind of bringing this humanity about. the series do you know our names there's a similar active rehabilitation based on images of women's bodies from the same book stereotyped for ethnographic research. a lot of these original images the women were without hair without close the eyes were unfocused there was like so little representation of their humanity or their dignity or their beauty the painting for me was a type of care i started to give them make up i started to give them a modern hairstyle i started to give them clothes and they suddenly started to have an identity and dignity that was taken from that original photograph. her latest project focuses on how the media portrays people who fled their homes compared to more privileged travelers painted on to pages of an expedition report filed by wilfred facet progen

gaskins are futuristic aeronauts. persian dervish is lesser. it's also about a type of representation where people are pictured so that their humanity is not the 1st thing in counter when you look at their pictures and for me the projects all my projects are about kind of bringing this humanity about. the series do you know our names there's a similar act of rehabilitation based on images of women's bodies from the same book stereotyped for ethnographic research. a lot of these original images the women were without hair without close the eyes were unfocused there was like so little representation of their humanity or their dignity or their beauty the painting for me was a type of care i started to give them makeup i started to give them modern hairstyles i started to give them clothes. and they suddenly started to have an identity and dignity that was taken from that original photograph. her latest project focuses on how the media portrays people who fled their homes compared to more privileged travelers painted on to pages of an expedition re

it all started when dean and jasmine gaskin came across a table and chair set.he wants to have dinner on a beach somewhere. >> reporter: jasmine, when you saw that, what went through your mind >> wow, you pulled this all off? it was beautiful very romantic. >> reporter: their pop-up dinner dates became a regular occurrence from eating barbecue in front of colorful murals in manhattan to romantic taco tuesday on the iconic brooklyn bridge >> she was like, wait. on the bridge? >> and he was like, yeah why not? >> i was trying to go bold and do something that's probably never been done before, or not done so frequent and being that new york city is kind of quiet right now with no tourists and people just staying low -- >> reporter: that must have been one of the coolest dates of your life >> it was. even the planning of it. i'm looking at flowers and arrangements he's like, no, no. we're going with a lantern it's the brooklyn bridge okay the quarantine really brought out our creative side. >> reporter: but that's not all quarantine brought out of them >> we have to