gene yak the interior of a seat under the shank of the twenties stanislav, zhukovsky bodai, that ones fixed the house and nature , the experimental details were brought from the pictures in reality. this is a feature of exposure. i wanted to make a homestead behind the head of this exhibition and immerse. class in the atmosphere here in this slowness here in this change of seasons and to supplement all this with the things that we see in zhukovsky's paintings, i searched through all the collections of our museum and decorative and applied furniture sculpture in order to find things that would at least remotely resemble what we see in zhukovsky's paintings . why paint portraits and what kind of area from terrible belarus, borscht for usikh stumbled in a row on the duties of their duck at curatorial excursions for a week, the same losses on bridges do not pass by from the roofing column, as there are buildings from 12 dancing with patterned song and dance ensemble zorochka, like this 60 rows of biographies and a bunch of practical exercises for the belarusian folklore rudiment that we