gennady poloka was born." or who is your nationality, he always said: i am russian, although as he himselfted that there were germans, poles, ukrainians in his blood, i am russian, and he says: i cannot be abroad for more than 10 days , that pulls me back to my homeland. geno, like all children who felt a craving for art, went to a music school in this kainsk, attended a dance club. a notebook, a night when the cart creaks, but the big waltz stands out not only from the work of julien devevier , and in general i think this is a very wonderful fantasy. he is assigned to film his first film at the tajik film studio chaiki nad barkhany. this was a picture with which the tajik film studio wanted to glorify the construction projects, so to speak, of communism, the laying of a canal across the steppe, that is , some kind of life-affirming soviet film, well, probably almost a poster. but poloka says: i made a completely different film, i made a cruel film, when the tajik leadership looked at more material, they were horrified, but poloka took this material to moscow, and the board the ministry of

union, already recognized by world film authorities, the soviet screenwriter and film director, gennady polokato us in the summer of 1970 in moscow. we sat at table on the second.