uh, push, you understand, i was supported by georgy dmitrievich chubat.tor of the telecentre supported the chief engineer, nikolai nikolaevich golub, i remember all of them , you know, they supported me, they gave me win-win technical directions. and cut off on the cheek of my love, goodbye god at dusk, vladimir alexandrovich, you are probably told about this very often, that you are not only a good director, but also an excellent storyteller and you have a huge number of off -screen stories that are included in your books, you already have more than a dozen of them. and here's what started it all. when did you decide that you should write down everything that happens to you? well, as always, uh, at the beginning of all my business, skill projects, good people appear who guide me in the ninety-ninth year. i had two premieres. uh, or rather the premiere, two performances were m-m of mine a variety performance from an orchestra with a jazz orchestra is not an instant, but on the stage of the musical comedy theater, which was called along with the song of le