it was georgy ivanovich kornilov and. as a matter of fact, he invited him to his place in tuapse.hail andreevich savitsky came to visit him. and he asked him if he had written anything about it, about what they had to go through. well, as a matter of fact, this is the impetus that served as the beginning of this series. it was not typical and too frankly too brutally. and well, even pathologically, as it were, it caused some kind of, well, misunderstanding, because. yes indeed there is here. here is cruel fascism, a cruel feature of this war, which, in fact, is constantly taking place on our land. and this, well, is a great tragedy. right now, how we perceive everything is blurry, that is, no, the boundaries of good and evil are all blurry. and he is specific. here is good, here is evil. here it looks like this. and here it looks like evil, and good looks like this, and uh, that's it, it's being built. here e, in these works it is precisely for this that mikhail savitsky is famous. reproductions of a series of paintings are rapidly growing; the figures in the heart diverge in diff