it was a mood, it seemed like nothing, but just like that, and the main thing, i remember, georgy nikolaevichsk, it was then that the second year moved to the second year, i had experience before that, i starred in an episode in the film the first trolleybus of the gorky studio, that was all my experience, so whatever you ask georgy nikolaevich, he smacks his lips and says, but just like that, that's how it is, we didn't really rehearse, we filmed practically in one or two takes, everything, it was so relaxed and easy that you still come to the conclusion, especially with age, i... as a believer, that this is god's providence, because it is impossible to explain otherwise, how all these people came together in this place on this topic, you understand, it is difficult to explain, really, here is the french new wave, neorealism, they are like some influential trends in cinema, did they reach you, well, i don't know, maybe someone there from the film crew said: watch the new film by gadar, on the last. watch, but to be honest, i don't think so, it's both shpalikov and georgy nikolaevich daneli,

and me and i'm georgy nikolaevich, who recently left us, in the kingdom of heaven, this is an absolutelyly his films, although these are favorite comedies, yes, but in them there is always this note of proanzit. he came up with the idea of ​​writing tragicomedy, in my opinion, he wrote somewhere in his diaries that what is tragicomedy, he called it all, not quite comedy, well yes, you don't necessarily have to show only the funny in these stories, there... a lot and well, as in life, everything is mixed up and sad and funny, klasenie marathon - this is my normal state, well i don't mean family, but in general just when it's hard to tell people something, refuse, explain, everyone wants something from you, and you yourself don't know how you can be alone with yourself at some point, and it's impossible, but the funniest thing about him is that he kind of drives everyone away, and then they come back. well, absolutely absolutely wonderful, he is of course an infinitely talented person, i was just amazed after talking to him, and fantastically, when we were looking for that governor yeah wh

georgy nikolaevich, hello, i would like to talk to you, to be honest, i have no idea what we will talkknow, it's just that my boy, he is going through a difficult period right now, in the family, well, no, it's not about the family, he is just going through a transitional age, his first crush, everything that happened, it's because of the girl. and the girl is to blame for everything, i beg you, please, reinstate him, well, he is just ashamed, and where is he himself, your boy, sent his mother instead of himself, lacked character. well, yes, i forgot what a man's character is, just remove an inconvenient student, yes, all the best, lel, in general, i realized that i really want to work , you know, i'm good at it, there have always been a lot of clients, light, what a conversation, of course, i'll take it, you have golden hands, thank you, forgive me, please, some misunderstanding happened between us then, yes, nonsense, that's it, that's it, whoever remembers the old, you know yourself, in general, consider it, that you have a job, great, you're such a good girl, everything is in order

to which italians came, weeks of italian cinema, you had a desire here. that friendship with georgy nikolaevichas very strong very strong until the very end, and even i remember such an episode, that is, georgy nikaevich never wrote to stunin, tanin never helped him with scripts, with naumov and allov, yes, and it was filmed in broad daylight and there it was smaktunovsky's last role, you understand. with andrey khazhinovsky, what a wonderful work, what a wonderful friendship, with yurochka narshteyn, with andrey, and with all that wonderful, that same powerful, incredible, poetic animation that was not seen anywhere in the world, and it was happiness, here is the lion with a gray beard, which will now be shown... in torosusi, which is shown from time to time, one of the best films from my point of view, andrey yuryevich, there are wonderful, brilliant drawings by sergei barkhin, remarkable, and tanin's voice is preserved there, the only film where he sings, here it is the former voice has a very good ear, so he sings there with avtar and osiliani, and with all the georgian cinema, of course. w

helped us, stanina in our common interests, in our common life, to say that the friendship with georgy nikolaevichrong, very strong until the very end, and even i remember such an episode, that is, georgy nikaevich never wrote stunina, tanina never helped him with scripts, with naumov and allov, yes, and it was a white day filmed and there it was the last role of smaktunovsky, you understand. with andrei khryzhinovsky, what a wonderful work, what a wonderful friendship, with yurychkomorshteyn, with andrei, and with all that wonderful animation of that very strong, incredible, poetic, which was nowhere in the world, and it was happiness, here is the lion with a gray beard, who will now show ... in torusia, which is shown from time to time, one of the best films from my point of view, andrei yuryevich, there wonderful, brilliant drawings by sergei barkhin. wonderful, and tanin's voice is preserved there, the only film where he sings, tanin valdevny's voice is very good hearing, so he sings there and sattaram and osiliane, and with all the georgian cinematography, of course, because we went to georgi

yes, georgy nikolaevich, we need to resolve the issue with kovrov, today, i understand, we'll do it.lo, arish, hi, i just. missed you , well come quickly, thank you, i have a surprise for you, hmm, a pleasant one, well i hope, yeah, well okay, well bye, bye, kisses. wow! what meaning do modern icon painters put into their work, and so that it all would not be in vain, so that it would help people pray, so that it would help them repent , become church-goers. how is teaching in sunday schools today? one lesson. spiritual, the law of god, one lesson in creativity, one lesson in music, and for the older ones, that is, adults, there are already lectures on subjects, well, there is already , so to speak, more serious preparation. what is mercy? this is probably the food that we ourselves will always need, and this is the food of god, which is born in the heart of a compassionate soul. what unique shrines are kept in belarusian churches? here we have. our own happiness is incredibly interesting in its own way complex. in the seventh grade, at 14, i suddenly decided, i will be an artist, i

stanina in our common interests, in our common. life and i want to say that the friendship with georgy nikolaevichanelia was very strong very strong until the very end, and even i remember such an episode, that is, georgy ginkayevich never wrote to stunin, tanin never helped him with scripts, with naumov and allov, yes, and it was broad daylight filmed and there it is the last role. kotunovsky, you understand, with andrei khazhinovsky, what a wonderful work, what a wonderful friendship with yurych konarshtein, with andrei, and with all that wonderful animation of that very strong, incredible, poetic, which was nowhere in the world, and it was happiness. here is the lion with a gray beard, which will now be shown in torus, which is shown from time to time, one of the best films from my point of view, andrei yuryevich, there are wonderful, brilliant drawings by sergei barkhin, wonderful, and tanin's voice is preserved there, the only film where he sings, tanya has a former voice, a very good ear, so he sings there and satar and osiliane. and with all the georgian cinema, of course, because we went t

yes, georgy nikolaevich, we need to solve the carpet issue today. got it, we'll do it.arish, hi, i just missed you, so come over soon, thank you, i have a surprise for you, a pleasant one, i hope. okay, well, bye, bye, kisses! wow! hello, yeah, what? we'll be walking for a long time, now i'll invite relatives to examine personal belongings, and... well, we were told that identification would be, how is that, absolutely right, but the body was badly damaged, so you'll be identifying personal belongings, no, i i must see him, please show me, it's impossible, i repeat, your husband suffered very badly, i ask you , please show me, i must see him, vitya, do something, let's solve the problem, how much should you remove immediately. this, please, i beg you, please, show me the body, i beg you, i need to see him, listen, it's impossible, mom, please, how come you don't understand,

, then we went to the beach, where there was - that is, a georgian restaurant, a fondue for georgi nikolaevich and his homeland, and there a table was set, they were celebrating. that is, this is the 40th anniversary of the film, in my opinion, only the polish gali were not there, but everyone was there, thank you very much, evgeniyevich, we are finishing our podcast, our issue, actually, my last question is not for you, but for natalia, why do you think this film should be watched today, well it seems to me that evgeny yuryevich said it very correctly, that it is such a snapshot of time, which was taken very quickly, very easily and as in... or somehow really preserved the breath of time, it is in what yusov did, it is in what you, the actors on the screen, do, in how daneliya put it all together, in how shpalikov wrote it, and in order to really immerse yourself in this time, it seems to me that there is no better film, as i hiss through moscow, yes, yes, yes, you are right say, yes, then it is precisely the form that is not obligatory, there is nothing intrusive, you understand, yeah, that'

well, i'll come, what can i say, i was offended, so he helped me, georgy nikolaevich, it's such a pity that he is not in this world, here he is very softly, but in this way somehow there to the left, to the right, don't be funny, i say, well, how is he zhenya leonov, how he plays everything at... his role, he says, is 10 minutes for the whole film, he needs to somehow imprint, and you have the whole film, a long marathon, yes, so no need, the whole film will be like this, and you are just present for everything, you understand, play the circumstances, nothing else is needed, such were the lessons, he told me, asked, when i had already decided to break up with my wife, i come home and see that my daughter with... tears welled up in my eyes, because i was nostalgic for that love for this little girl, who was now leaving with her husband and wife, on the third take danelya came up to me, kissed me and said: "thank you, great, i think, well, i'll have a shot where i actually cried and so on and so forth, i'm watching a movie, everything's going, everything 's good, everything's fine, we're

you for now, otherwise, well, i'll come, what will i say, she was offended, so he helped me, georgy nikolaevich that he is not in this world, he was very soft, but in this way, somehow to the left, to the right, don't be witty, i say, well, how is it, how do they all act, he has a role, he says, 10 minutes for the whole film, he needs to somehow imprint himself, and you have the whole film, a long marathon, yes, so no need, the whole film will be like this, and you just with all this you are present, you understand, play the circumstances, nothing more is needed, such were the lessons, he told me, asked, when i had already decided to break up with my wife, i come... home, and i see that my daughter, with her husband, are leaving for the far north, for a long time and so on, and my wife is crying in the kitchen, and we start singing them a song, they ask to record it on a tape recorder, yes, yes, and you sit, like two strangers, two strangers, but i remember how good it was when she was little, i pushed her in a stroller, then my wife came, also pushed her, we i ran into this... i had nostalgia

woman, i say, caught, well, he says, tomorrow we're going, he's talking to you for an audition, georgy nikolaevichaneli. the famous director was then looking for a boy for the role of hekel berifin, the famous character of mark twain, the film was a complete failure. adolphus? yes, have you ever seen a king, what king? wilhelm? every day, where? he goes to our church. by the end of school , the young actor's filmography already included 10 films, in which three roles were leading. what took so long? with such baggage, the aspiring actor could easily enroll in the second year of the geek. but the talented boy not only did not apply to the famous institute of cinematography, but also disappeared from the screens for a long time. i mean, i mean, we consulted and i. there is no need for us to disgrace ourselves anymore, that is , you don't want to perform anymore, great , they will fool me, they will understand everything, they will understand me, everything i see, while you are rehearsing, no, no, let's have a little text, let's go, dimych, then we'll go, you'll call, we'll go , we'll understand, tha

stanina in our common interests, in our common life. and i want to say that the friendship with georgy nikolaevichuch an episode, that is, georgy nikaevich never wrote to stunin, never helped him with scripts, with naumov and allov, yes, it was filmed on white day, there it was the last role with maktunov. and tanin's voice was preserved there, the only film where he sings, tanin's former voice is very good hearing, so he sings there and sottarom and asiliani and with... all georgian cinematographers, of course, because we went to georgia too, and well with all the directors, and also, of course, with elem and larisa shepitka at the stupid time, well, i'm telling you that it was mutual enrichment, they were our guests, it was the period of the rise of both the sixties and italian neorealism. that's how we are bridge stanina connected it, and it was happiness, i will think that there was a mission in this, the film that you mentioned already in our conversation, which is another project that did not take place, proektomni, tanina, and propaper snake, i remember correctly, it was you who said, what