giotto emphasizes the human vulnerability of these figures. and like a centerpiece on the far wall is "the last judgment." christ oversees the action as the saved on his right emerge, grateful, from their graves, and the damned, on his left, are just kicking off a hellish eternity. satan is a grotesque ogre munching on sinners. around him, demons torture the damned in a scene right out of "the inferno" by dante, who happened to be giotto's friend. calmly isolated from the action is enrico scrovegni, who paid for all this art in an attempt to gain forgiveness for the sins of his wealthy and greedy father. these frescoes are considered by many to be a precursor of the renaissance to come. with this masterpiece, created 200 years before leonardo and michelangelo, giotto seems to be making it clear -- europe was breaking out of the middle ages. [train whistle toots] [bouncy music] - [singing] ♪ they're two, they're four ♪ they're six, they're eight ♪ shunting trucks and hauling freight ♪ ♪ red and green and brown and blue ♪ ♪ they're the really us