been interpreted as a fashion statement, at coachella, burning man, and some of these festivals, glastonburythat, in my era, it was a political statement as well, it wasn'tjust about styling yourself, it was about a sense that you were young, and we believed that we should have a say in what goes on in the world, and we bought a different view point to what had come before. so it wasn't raised purely from a fashion point of view, it was embraced from an intellectual and emotional point of view. so, while i wasn't a hippy, per se, i very much understood, that people were questioning their lifestyles, and their life choices, and was this the only possibility? and that has been one of the little steps, or major steps, that has gotten us where we are today. bit by bit, step by step. and about fashion, i've always said, does fashion define lifestyle? in other words, do live a life as defined by how you dress? or, do you wear clothes that reflect the life you are living? and, for me, in the past, you dressed to suit your lifestyle, and what was dictated to you in the past. but, now, including the

but, if i may, iwatched back your performance at glastonbury a few years ago now, four or five yearsne was up there and the crowd was screaming... yeah. ..and they put two syllables into your name. "ni-le!" and you looked to me... i started crying. you looked — you did? you did start crying? i started crying, yeah. why were you so emotional? was it...? can i humbly submit, was it because maybe in bernard's absence — and we might come back to that — but — but you were finally getting the recognition that you deserved? no. i just thought that they appreciated it so much. way beyond... look, i go out there to try and make people happy. we're talking a bit about the internet era and i want to ask you a bit about one other aspect of it, which is whether or not the internet is working out for artists. and you've been very vocal about the deal, or the lack of deal, that artists are getting in the age of streaming. what's the issue? why are you speaking out? there's a really, really big problem here. the music industry is built on songs. it's — the foundation of the house is in the songwrite

nominated for an academy award she is making history as the youngest artist to headline both the glastonbury this year and is currently on her happier than ever world tour please welcome to the show, billie eilish, everybody [ cheers and applause ♪ ♪ >> seth: welcome to the show, billie >> thank you how you doing? >> seth: i'm fantastic, i'm so happy to have you here, and new york has been so happy to have you here you got to play madison square garden >> i sure did. >> seth: i, you know [ cheers and applause i think all of us are in aw at how much you've accomplished in your very young life so far. but i can imagine, does it still blow your mind when you're in a room like msg? >> yes >> seth: that's great. >> yeah, yeah, no. it's it's. i did bawl on stage. >> seth: ok, gotcha. >> i did [ cheers and applause yeah, it was just really weird i have a song during the set where it's all baby footage of me and i was, like, walking across the stage, looking at baby me, looking at the crowd, and i bawled >> seth: yeah. >> quite embarrassing. >> seth: yeah, what are you going to do? i will say -- and