interview of gleb pamfilov to our channel on the director's eighty-fifth birthday.e is still full of energy, including creative ones. only recently the play audience was staged, first on the stage of the theater of nations, and then in the vakhtangov theater, rehearsals continue for each of these, panfilov, working with rare dedication, does not miss a single detail of his left chair. inna churikova was the queen both in this performance and in life in all the works of her husband. she charmed him again and again. although it would seem. well, how is it possible after half a century of living together. it surprises all the time in a good mood, when there is no reason with an interesting word. even for nothing. and, in general, of course, she surprises me when i see how she works, but first of all , together with him, not as an actor as a director. and how people who cannot simply live without each other son churikova gleb panfilov said goodbye kneeling in front of the coffin with his son ivan since then, the outstanding director has remained hopelessly decimated. af

today we will talk about gleb pamfilov's film the beginning, which was released in the seventieth yearbut despite the fact that it is known, maybe not everyone knows how it was made. in what context? under what conditions and what could happen after him in the fate of panfilov churikova and in general, soviet cinema and panfilov itself is our hero, as a director and as a screenwriter, a person who , of course, launches this story, but it starts, it is on his first feature film of the sixty-seventh year, which is called firebrod. no, it already plays the main role on churiks. but panfilov comes to this film not a very young man and his story. story. panfilova is also important for how the film turned out, because he started working as an engineer at a factory. at all not in moscow, and became interested in cinema , as such amateur performances, yes, he began working on television, he entered the correspondence department at vgik at the camera department. and only then he arrived and graduated from the higher courses of screenwriters and directors in moscow and was the first. actually hi

orel gleb pamfilov's last film was the drama ivan denisovich based on the story of alexander solzhenitsynany years. panfilov collaborated with the moscow theater linkom in almost every film from the performances, his muse and the main love of his life played. and nochurikov in front of panfilov outlived her by only a few. months, and revenge and let farewell to the director will be known later. accident in the khabarovsk territory , kamaz overturned there drivers four passengers died according to the preliminary version the driver lost control of the car pulled over and turned over in kamaz there were employees of one of the local enterprises at the scene of the accident task force is working. a series of explosions rocked this night at a gas station in romania , thirteen kilometers from bucharest, the first seconds hit the cameras of car phones. after the first explosion , a fire broke out, when the rescuers arrived at the scene , the tank detonated. that is why most of the injured firefighters and police officers died as a result, at least. one person at least 50 more wounded eight. of

watch classic popular little-known forgotten films of russian cinema and today we will talk about gleb pamfilov'shich was released in the seventieth year, but despite the fact that that he is known, maybe not everyone knows how he did everything, in what context? under what conditions and what could happen after him in the fate of panfilov churikova and in general cinema and panfilov itself is our hero, as a director and as a co-author of the script , a person who, of course, launches this story, but it launches on his first feature film of the sixty-seventh year which is called in the fire of the ford. no , there is already the main role played by inna churikova, and panfilov comes to this film not a very young man and his story. story. panfilov is also important for how the film turned out, because he started working as an engineer. at a factory, not at all in moscow, he became interested in cinema, like such amateur performances, and began working on television, he entered the correspondence department at vgik at the camera department. and only then he arrived and graduated from the higher cou