gleb panfilov’s wonderful film “the crowned family” by gleb panfilov, which tells about the last year, tells about their stay in tabulskaya exile in the ipatevsky house. carefully, carefully, taking into account many details: the girls' room, the emperor 's office, the dining room, a little over 100 years ago these rooms were full of life, what the family filled their life with, well, they read books, played music, embroidered, played chess , gathered at the table, probably wished each other a merry christmas on december 25 1917, the last christmas of their lives. the dishes and tablecloth embroidered with gold threads reminded them of their former life. the royal family brought them with them. there are other unique things in the museum, for example this. empress. in one of the rooms there was a house church has been established. at one time , the romanovs were even allowed to go to the local temple. but after cases became more frequent when townspeople knelt in front of the family and shouted: “sovereign, his family has had enough for many summers, these trips were banned. while the

and the following project becomes one of these stories: gleb panfilov’s is, in fact, a film about jeanne collaboration with the french, so believes that french co-financing is needed, french participation is needed, because after all, in our landscapes and latitudes it’s a little difficult to film, but it’s definitely still with the participation of churikova in the leading role, and it seems initially, at least to lenfilm, that it’s possible, yes, because it really has... but to comrade germash, the head of the then cinematography, everything is yes, who says that i gave up everything for this project, that is, i put it off, that is, my personal life, i don’t do other roles, why you do not are you launching this film into production, why don’t you give the green light, and as various sources write, ermash didn’t even respond to this letter, he ordered to just put it under cyclical forgetting, that’s why we don’t have the film joan of arc, the next film by panfilova and churikov was just released in the seventy-fifth year, i’m just asking for the floor, that’s how long it took them to le

classic, popular, little-known, forgotten films of russian cinema, and today we will talk about gleb panfilov’s known, perhaps not everyone knows how it was made, in what context, under what conditions, and what could... happen after it in the fate of panfilov, churikova and soviet cinema in general, in fact, panfilov, our the hero, as a director and as the author of the script, is the person who launches, of course, this story, but it launches in his first full-length film of the year sixty-seven, which is called there is no ford in fire, where churikova, panfilov, and this film comes to him as a not very young man, and his story, the story of greb ponfilov too... is important for how the film turned out, because he started working as an engineer at a factory, not at all in moscow, he became interested in films like this amateur, yes, he started working for television, entered the correspondence department at avgig at the camera department, and only then came to finish the higher courses for screenwriters and directors in moscow, and his first, actually, full-length film was a film for him per