modernity, in general , it seems obvious... it is of the greatest interest for the director, for gleb ponfilovone want to believe that first there was a film of a prozhaka, and then the film began, it seems , that this is a very convenient escopism, to talk about... something completely different and maybe under this sauce, as it were, cast a new look at soviet reality, this escopism, which seems to be present in jeanne dark, is actually present in those pieces that seem to relate to modern times, here is that very scene on the dance floor, suddenly such rollicking, really funny music is playing there, let's listen. you dance, you dance, and i sing, this is a completely, uh, free use of western melodies, rhythms and melodies of foreign pop music in soviet cinema of the sixties, it also needs to be said about how it actually appeared there, but we didn’t even know about it , so this constantly appeared, yes, remember carlson, who lives on the roof, soviet cartoon, it’s sort of borrowed from there an american melody, yes, this is a story about a ghost that scares two robbers, in fact it is a hor