ah, evelyn glennie uses her entire body as one giant ear. the 55 year old percussionist is nearly deaf, yet she seems to hear more than must have absolute connection with this all of the sound, regardless of whether you can hear it or not, is actually coming through the hand. and that's really important, but also a certain amount coming through the bo before the corona virus pandemic put concerts on pause. evelyn glennie jetted around the world performing now over the last year. she's had time to dedicate to her instruments, some 2000 of them kept here in her studio and cambridge, cher england when she was tuned wrenches i and it goes all the way up and i think kemati sought under there. so really i think that the wonderful thing about percussion is that a lot of that is to do with the imagination. evelyn glennie experiences sound with an intensity that's infectious. ready misconceptions death people live in a world of silence and thus very rarely the case actually because all of our other senses are razor sharp. so even if we see something

ah evelyn glennie uses her entire body as one giant ear. the 55 year old percussionist is nearly deaf, yet she seems to hear more than most i have absolute connection with this, all of the sound, regardless of whether you can hear it or not, is actually coming through the hand. and that's really important, but also a certain amount coming through the bo before the corona virus pandemic put concerts on pause. evelyn glennie jetted around the world performing now over the last year. she's had time to dedicate to her instruments some 2000 of them kept here in her studio and cambridge cher england. 2 when she was june wrenches i and it goes all the way up and i think the chromatic field under there. so really i think the wonderful thing about percussion is that a lot of that is to do with the imagination. evelyn glennie experiences sound with an intensity that's infectious misconceptions. death people live in a world of silence and that's very rarely the case actually because all of our other senses are razor sharp. so even if we see something

but glennie also believes in silence. it's such an important sound because it can ignite all different emotions that can be frightening. it can be a relief, it can be loving and gentle. it can be fun, it can be nervous, it can be awkward, it can be heavy threatening. it can be almost every single kind of emotion you can think of. plenty also wants people to understand that hearing is not the same as listening. a lot of the challenges we have, whether it's in the workplace or in a home environment is about listening. often the breakdowns happen because it's simply because we're, we're just not quite connecting and how we listen. and so that's not about hearing which can be measured and in a medical way, you know you can be is completely deaf that be a great great listener for evelyn glennie. learning to listen is the key to creating a better life together. making music is just one vehicle for connection with and on that brilliant note, it's time for me to sign also until next time, all the best from us in berlin face. and

and now on to dame evelyn glennie, who is exceptional talent on the drums and rhythm instruments has made her the world's premier solo percussionist renowned for her life performance. she's also a prolific composer with over $100.00 international awards to her credits and it's pretty incredible to think that when she was a small girl no one would have even possibly ah, evelyn glennie uses her entire body as one giant ear. the 55 year old percussionist is nearly deaf, yet she seems to hear more than most i have absolute connection with this, all of the sound, regardless of whether you can hear it or not, it's actually coming through the hand. and that's really important, but also a certain mind coming through the bow before the corona virus pandemic put concerts on pause. evelyn glennie jetted around the world performing now over the last year. she's had time to dedicate to her instruments, some 2000 of them kept here in her studio in cambridge, cher england. when june wrenches i and it goes all the way up and i think the kemati taught under there. so really i think the wonderful thin

and now on to dame evelyn glennie, who was exceptional talent on the drums and rhythm instruments has made her the world's premier solo percussionist renowned for her life performance as she's also a prolific composer with over 100 international awards to her credits. and it's pretty incredible to think that when she was a small girl no one would have even possibly ah, evelyn glennie uses her entire body as one giant ear. the 55 year old percussionist is nearly deaf, yet she seems to hear more than most i have absolute connection with this, all of the sound, regardless of whether you can hear it or not, is actually coming through the hand and not really important, but also a certain amount coming through the bow before the corona virus pandemic put concerts on pause. evelyn glennie jetted around the world performing now over the last year. she's had time to dedicate to her instruments, some 2000 of them kept here in her studio and cambridge share england. when june wrenches i and it goes all the way up and i think the chromatic thought under there. so really i think the wonderful thin

have a show lined up that sir to strike a chord or possibly even to call his percussionist. evelyn glennie has been almost totally dead since her early childhood. one reason why she's best place to teach audience is how to list me but 1st we'll then.

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