because it’s a melodrama, because it’s a feeling, because it really doesn’t seem very similar to golobanov’s’s script, he well, maybe it’s this, i don’t like these speculations, but i started talking, i’ll say, maybe it was part of this... like such a duty to a friend, comrade, perhaps, it seems to me, just a little bit, it was present there , that here is the script of sergei bodrov, here it is on the screen, here is another theme that has always attracted me and even somehow intrigued me, this is the yakut theme in his work, in his fate, yes, this film, a tragic story with filmori with the death of the actress, yakutia as a scientist, and as a fiction writer too i wrote several stories, and i gave it to lyosha , i said, look, it seems like some kind of interesting thing, well, i read the fuse, as they say, and really wanted to do it, and that’s how the film kachigar was born, no, that’s how the film river was born, yes, which tragic, very strong actress, tunoboeva died, naturally we stopped then balabanov, at the request of dmitriev, the head of the government department , at the request,

golobanov is interested as a director, as a cinematographer, that he has practically nothing invented the word, he simply could not write until he felt it all, walked through it with his feet , won’t talk, but if we talk about the last film, i also wanted what to say about it, in the sense of what needs to be said about it, but what would you like to say about it, a film that is relatively prophetic? yourself, well, yes, well, well, then there’s no point in talking about cinema at all, maybe watch it, that’s exactly what i’m saying i think that there is no point, in any case, well , for professional people, art critics, film critics, film experts and so on, yes, but i am not one, not the second, not the third, i am a producer and a viewer, there is a film, what do i care about it? -i get some kind of emotion, some kind of energy , something happens in me there, at least at the moment of watching, but it’s so good when after, yes, after the taste, the so-called everything else, i try to save more sensual than the rational in myself , which is why i don’t get tired of making films with