i have already worked with natasha michininova from gore khlebnikov.neral, the story itself. she swallows something. it’s just that we couldn’t even imagine you with your layers, with some kind of layering of each character, but not only me, we all couldn’t imagine how it would be filmed at all. and that amount of labor invested in the preparation of the project there , for more than two years, they developed all this scenery. all this engineering that worked, all the insides of the ship were filmed hmm in the pavilion, and wonderful artists or khlebnikova made incredibly authentic insides of the ship. that is, well, the complete feeling that you are all old , lived through iron, then we filmed the main storm that goes there for 20 minutes in the film, it was built in a huge pavilion completely in size, and the part of the ship where it takes place, all the action. hmm, it was all chromaki. there were several 20-meter plums, four tons of water each. they were all calculated on the remote control, because we were doing doubles. this is not a chaotic mov