gorska is blocking, he was called arnold, i don’t know if he is, but then they changed a little thesees on the sabers sit hard and that's how she begins her letters to the zalevakhs actually. but she knew about the persecution and the kgb in olivets, as they say in hungary, she got into it from... 62, from the time when she and symonenko and tanyuk, in fact, opened a burial ground in a bikovna, again in ktm to them they're having a memorial night for kurbas eh and eh they're starting because it's a really small few years from the league and you can talk about it, they talk about a shot revival, they talk about... about kurbasa, and after that evening a woman approaches tanyuk and says that you are talking about solovki, but we have our own solovki here near kiev, and she tells them that this is a side house, and they are still naive enough, they go there, and taniuk leaves in his memories this, this terrible episode, that they approach and see how children, and nearby the pioneer camp, children are playing. in football with a child's skull, and it shocked them, they were completely sh

this large portrait of gorska as an icon, in fact, but it's all written on his face.t is, it is clear what a loss it was for them. and now i want to end with what i started, in fact, this story, i would say, is a story. the catastrophe of a creative person, yes, that is, this is a destroyed, destroyed artist, artist, a destroyed generation, yes, which could have done much more, eh, it sounds somehow different now, but for you, let’s say, well, you obviously knew this before, but it’s just that, for me personally, it somehow takes on completely new meanings, now that we see other examples of it, yes it absolutely resonates and rhymes, terribly rhymes with russia's modern destruction of ukrainian masters, ukrainian intellectuals, that is, it all continues, it started not yesterday and no, not 100 years ago, that is, it is such a terrible link in this chain, but with on the other hand, i... understand that today an exhibition of alegorska is held in the largest, largest exhibition space, more than a bunch of works are presented, and she continues to unite people, that is

boreviter is the same name of one of the mosaics, which was performed, in particular by ala gorska and group, yes. opanas zalevakh was there with a group of her colleagues in mariupol in 1967. i want to clarify opanas zelovakh at that time , he was in prison in prison from 1965 to 1970 for anti-soviet propaganda propaganda, that is, there was another group, that is, they were there she had a lot in various creative groups, but zaretsky was there. there was zubchenko, that is, pryshedko, by the way, zubchenko, there are many mosaics in mariupol, but the fact is that the fact is that these the mosaics were destroyed by the russians in the 22nd year, when you were thinking about the philosophy of the exhibition and the name, you had this in mind when you called it boriviter, absolutely, but the whole hall of the ukrainian house should be dedicated to it. precisely to these mosaics and destroyed mariupol and precisely to this resonance of the fate of gorska, yes, because this is really a person who experienced many tragedies and dismantling, destruction of works and expulsion from the arti

the bays, actually , but she also knew about the surveillance by the kgb in olivets, as they say, gorska, she got there from 62- th year, from the time when they... ah from in fact, simonenko and tanyuk open a burial ground in the bikovn and again in ktm to them they hold an evening in memory of kurbas and they start, since it is really a few years from lygia, you can talk about it, they say about her shot revival, they talk about kurbas, and after that evening approaches tanyuk. the woman says that you are talking about solovki, but we have our own solovki here near kiev, and tells them that this is a bookshop, and they are still naive enough, they go there, and tanyuk leaves in his memories this, this terrible episode, that they approach and see how children, and next to penertabir, children are playing football with a children's skull, and this... them, they were completely shocked, and also by the scale, the size of this burial ground , as well as the fact that no one talks about it at all, that is, silence reigns , no one, everyone continues to be afraid, and they are completely nai

boreviter is the name of one of the mosaics that was performed, in particular, by ala gorska and a group, yes, opanas zalevakha was there, yes, a group of her colleagues in mariupol in 1967, i want to clarify. at that time he had been in prison in prison since 1965, it seems, for 70 years for anti-soviet agitation and propaganda, that is, there were tons of other groups, there were many different creative groups, but zaretsky was there, there was zubchenko, that is pryshedko , by the way, zubchenko has a lot of mosaics in mariupol, but the fact is that... the fact is that these mosaics were actually destroyed by the russians in the year 22, when did you think about the philosophy of the exhibition and the name, is that what you meant when you called her a boreviter? absolutely , but the whole hall of the ukrainian house, it is dedicated precisely to these mosaics and the destroyed mariupol and precisely to... this resonance of the fate of gorska, yes, because this is really a person who has experienced a lot of tragedies, and dismantling, destruction of works, and exclusion from the unio

the exhibition is a large-scale figure, an incredibly large-scale figure, and you can talk about gorska in different aspects, and we talk about her as an artist and as a dissident and as the center of this sixties movement, which is very important in general for our history and modern history, and how this is... the heart of the dissident movement in ukraine , and about various aspects of her, that is, this creative path and social development, this is actually a hall of mosaics, a separate hall will be dedicated to her works, her creative tandem behind the lesemyuk, these are five performances that never came out, they were also behind the stage dress rehearsals, they were to come out, and this is true, it could completely change the face and history of ukrainian theater, because in these works she turns to the tradition of the avant-garde of the 20s, to the work of petrytskyi, who is very inspiring. and these are absolutely bold, very interesting decisions, scenographic, absolutely innovative, and again, all this remained only in the form of sketches that we present, and separately, w

history, we know this photo, where vasyl stus is holding a photo at the funeral of alla gorska, and holding this large portrait of gorska as an icon, in fact, but everything is written on his face, that is, it is clear that which it was a loss for them, and now i want to end with what i actually started, this story, i would say this is the story of the disaster of a creative person , yes, that is, this is a destroyed, destroyed artist, artist , destroyed generation, yes, which could have done much more, eh, it sounds somehow different now, but for you, let's say, well, you obviously knew this before , but it's just something, but for me personally, it takes on some completely new meanings. now, when we see other examples of this, yes, it absolutely resonates, and rhymes, terribly rhymes with the modern destruction of ukrainian artists, ukrainian intellectuals by russia, that is, this it all continues, it started not yesterday, and no, not 100 years ago, that is, this is such a terrible link of this chain, but on the other hand, i understand that today in the biggest exhibition groun

, and this is a very important topic in the context of gorska, because it is actually the only spherehe was able to realize herself as an artist, because... specifically in these mosaics in the monumental mental art, by the way, here are these mosaics, now we will finish talking about the boroviter and the tree of life, they are called the most valuable works of such urban monumental art that were in mariupol, and you say that everything is destroyed, here i want to show one book by oleksandr chernov and stanislava ivanova, these are actually researchers who... collected and photographed actually all of them, it is called all the shades of mariupol mosaics, it is not only aligorskaya, actually there are also various mosaic artists here, and this is what actually managed to be preserved from the what about us, i am i understand that everything has already been destroyed there in mariupol, and well, at least we will know what, what we have lost, and i beg you, i beg you, mariupol is everything. where there were most mosaics, it was very actively rebuilt after the second world war, but i

gorska, about her like-minded people, about the choice of identity itself, about the choice, the choice, about the discovery of ukrainian culture by her, already at a sufficiently mature age, we must remember that she was already about 30 when she switched to ukrainian , when she learns the language from abetka, because she did not teach it at school, and in general, she is a person who, well... let's say, there were no prerequisites for this , because she grew up in such a nomenclature soviet family, her father, he is a high-level soviet official, he headed the yalta film studio, then the leningrad film studio, then the kyiv film studio, and she, too , had an absolutely cloudless childhood, studying at an art school, then. in studying at the institute, the beginning of the career of this very powerful, traditional soviet artist, yes, and then everything changes dramatically, yes, and she discovers ukraine, ukrainian culture, she begins to learn the language, learns it at a good level, she writes her diaries in ukrainian, she starts doing some things that... and at that time it's just t

this is the basis of our culture, this is what unites us with previous generations. that i, like gorska , with my friends, open a bullpen and it changes the awareness in society in general, that is , it is impossible to forget this information, it continues to circulate in these circles and it emerges at the end of the 80s and again the same sixties, those of them who survived . and they played an invaluable role in the formation and revival of ukrainian statehood, it is clear that they very quickly was moved from the historical arena by voucher privatization enthusiasts, it is clear that they were complicated at the time, but this is their legacy, it does not disappear, it is all transformed, it remains... in historical memory, thank you elena, so the exhibition will last until april, yes until the end of april until the end of april, everyone who... everyone who is interested, and who was interested in our conversation, and the work of ala gorska and in general their entire generation, come to the ukrainian house in kyiv and see the exhibition about works alegorska. thank you for bein

this is the basis of our culture, this is what unites us with previous generations, that i am like gorska with my friends, they open a bullpen, and this changes our awareness in general in society , yes, that is... this information can no longer be forgotten, it continues, continues to circulate in these circles, and it emerges, at the end of the 80s, and again, the same sixties, those of them, who, who survived , they played an important role in the establishment the revival of ukrainian statehood, it is clear that they were very... quickly moved from the historical arena by voucher privatization enthusiasts, it is clear that they were difficult at the time, but this is their legacy, it does not disappear, it is all transformed, it remains in historical memory, thank you elena, and therefore the exhibition will last until april, yes until the end of april, yes until the end of april, and... everyone, everyone, everyone who is interested, and who was interested in our conversation, and the work of alla gorska, and in general the whole of their generation, come to the ukrainian house in ky

and then gorska bankers decided to get rid of kosttyrsky and hired this killer. no, uh, evgeny barnett arrived at kinge lopatina’s hotel, i don’t know what happened between them, they had a fight, she threw it at him, so openly in his face that he knows about all her shady dealings, meaning banking, which means later she rushed into the bath, he grabbed her hand, and how claims... barnett himself, she broke out.

, probably a video projection is the right name, also of the famous stained glass window that ala gorskawith her colleagues, and this stained glass window was destroyed, it was in the red building of kyiv university, and then you decided that it ideologically wrong, and it was destroyed, we only have it. in the form of photographs there, or like this, now, by the way, you can also see one of the reproductions of the burewiter mosaic, here behind, in general, they often do in ukrainian homes. here are such installations that are very long, here just the space allows it to be done, and here we see this bird that flies, and this is actually how you can look at this work, well, i will remind you, friends, that allagorska is one of the most famous of these women of the sixties, the most active and i will say that her father, in general, her family were not so ukrainian-centric, father... was in general in charge, was the director of the film factory in yalta, and she came to ukrainianism herself, switched to the ukrainian language herself and began to be interested in everything herself, and

oh, fate is steep, like a hill, she said, and got some sweet berries, only gorska, gorka, berries, twowrong with me, why it grows like this, a sweet berry! in the spring, bitter berries are on my beta all year round, look at me in the light from the window, they picked sweet berries together, bitter berries, i alone picked sweet berries together, bitter berries. oh, behind the waves, full of storms, the sailor, his dear home, above the porches, the little smoke. and the bird cherry under the window, but most importantly - it’s nice, yes, that everyone is dear to you, sending smiles and waves fiery, the wind caresses the storm, the blue eyes of distant friends, oh, the wine-like motros nights, only the sky and the sea around, the foaming waves. the mast is warming, the wind is turning the clouds, the night is starless, the sea is menacing and sadness beats the sailor , but most importantly, if the glorious one would give a letter, even the chaff would dance, go around like a wheel, blue eyes, distant... oh, the nights, sailor nights , only the sky is the sea all around, for more than a

gorska, that the russian law enforcement system, it's just, well , it's slipping, it came to the stateearly 2000s, when putin became president, it was absolutely obvious that the russian security forces, even when they have some contacts with, let's say , terrorist groups, they cannot prevent a terrorist act, the most they can do is arrive an hour after it happens, well, anyway ...

april, everyone who is interested and who was interested in our conversation and the work of ala gorska and in general their whole generation, come to the ukrainian house in kyiv and see an exhibition about the works of ala horska. thank you for being with us, thank you elena, see you in a week. the search for 17-year-old student alina bozhko, who disappeared under very mysterious circumstances in the volyn region, continues for the fourth week, and there are some new details in this difficult search story. the other day, we managed to find the girl's belongings, this is a wallet with an id passport and a headband. and a little earlier the searchers came across alina’s coat, it was lying in the forest 7 km from the place where the student was last seen: i want they helped me, i don’t believe that she is not among the living, she is alive, i want her to be found, i can’t sleep or eat, i just don’t live, i just exist, and alina disappeared on february 17, she was resting with friends on a lawn near the village of ugrynichi. around 2 p.m. , the girl left for the forest, but did not return,

in general, this exhibition is positioned by the organizers as the most complete exhibition of ala gorskal, unfortunately, many of her works and those of her colleagues have been destroyed, but we can see them immediately on the first floor. you see, from the second floor you can see the first, these are two large mosaics in mariupla. which were created for two months by the team, they are called one bora-wind, the other tree of life, were created by order of the ukraine restaurant, and here you can see in what form they are now, as far as i understand, we do not know now, and maybe they are even more destroyed, and there you can see a sketch of this mosaic, usually done first a sketch, or even several sketches, and then work is already underway on the mosaic itself, also here... we see such a reinterpretation, i don’t know what to call it , probably a video projection is the right name, also of the famous stained glass window made by alagorska with my colleagues, and this stained glass window was destroyed, it was in the red building of kyiv university, and then you decided that it was i