i think greenough's painting has a really interesting career. it was installed in the capital, as we know. people always say, they don't like its nakedness, its nudeness. they had to remove it. but if that was the reason, you wouldn't move it to the lawn, right? there's a story there. and i'm not prepared to tell the subtext of that story. i do want to move on quickly, i want to make sure we have time, but this is maybe the most -- the part that will tug at your hearts more, because it's something we can all relate to. i introduce it with this, maybe the most famous iconographic image of all, grant wood, the famous regionalist from the midwest in the 1930s. and his parson weems' fable, at least that's the title i have of it. it's ancestor worship. the flip side of that, of course, is debunking myths. if pietism is myth making, then debunking it is the flip side of the same coin. parity attacks those myth i cic images or icons. what can i say about this? the most noticeable thing about it is of course, it's again that ubiquitous gilbert stuart's