and the parts were one sewn with a triple seam epic canvas by artists in grekov's studio 25x5.5 m, likee frame of a newsreel, a portrait resemblance to each in hand-to-hand combat in the picture , the climax of the assault - the sacred height in the battle for sevastopol in may 1944 , the sapun mountain turned out to be an impregnable fortress ; these are the trenches our soviet positions were located 240 m below, that is, the enemy. we were at a glance, but despite this, by the evening the red banner was hoisted over this height, and on may 9, 1944 exactly one year before the great victory, sevastopol , like the whole of crimea, was completely liberated scout ivan ivanovich went out. one of the first to break through to the ridge from the apun, mountains, he is no longer with us. a few years ago, he managed to talk about the battle, which he compared with the capture of berlin, here they were already dashing. here's where you could. that's when the sapunguru's wife jumped out, that's where we have a completely different situation, those germans you have. come on, lie down hand-to-hand

and happiness of the canvas sewn with a triple seam epic canvas by the artists in grekov's studio 25 by 5.5 m, like a freeze-frame of a newsreel , a portrait resemblance to each soldier rushing into hand-to-hand combat in the picture the climax of the assault the sacred height in the battle for sevastopol in may 1944 breather the mountain seemed like an impregnable fortress, the enemy troops were equipped here with pillboxes, and the pillboxes of the entire eight-kilometer section of the front were indented. these are the trenches our soviet positions were located 240 m below, that is, the enemy. we were at a glance, but despite this, by the evening the red banner was raised over this height, and on may 9 , 1944, exactly one year before the great victory, sevastopol , like the whole of crimea, was completely liberated by scout ivan ivanovich potuk, one of the first to break through to the crest of the sapura, he is no longer with us. a few years ago, he managed to talk about the battle, which he compared with the capture of berlin, here they were already dashing. here's where you cou

and threatened violent homosexual contact, given that grekov was physically weak and could not standthing is fine that he stood up for another, if you remove all this cancelling. here, look, we remove it and we get a normal russian language in a year from a sitka of a strict regime colony, you understand without any fenya. how is it then? well, what is it really, misha, you understand, discipline is just normal. i think it's human. excuse me, where is your office? igor, don't be crazy. i'm on my own. do you want me to come now? look, it's almost night. like tied pick up the phone, pick up the phone. what do you mean, igor hasn't killed anyone on the phone yet? let's take it. yes, lera, you, yes, i, who else? yes listen baby, you've been with us for a long time. no, you say, he'll still lie. okay understandable. all right, i 'm going. are you leaving again? don't want. i would give anything to never see him again. therefore, the three main directions can be subdivided into several more parts. in the personnel department, why is everything so bad? no? what this is very cool, great. onl

part of the exposition, the main part is a huge semicircular painting by the artists of the moscow grekovepicts the breakthrough of the red army soldiers on the mountain, after which the entire line of fascist defense collapsed, the canvas was brought to the primorsky city in fifty-ninth. for the sake of it , the museum building was rebuilt and since then it has not been the canvas of neither the building nor the repair area was seen last year. dima’s building was completed a comprehensive restoration. literally everything was restored from the entrance to the chimney there. as they say, with the replacement of all engineering systems with new modern ones with their own requirements for energy saving and climate, which must be maintained here. you know, we have a unique canvas here , unique items inside the change. the exterior is already visible, the interior is ready, partly the exhibition hall of the exhibits. not yet. there are stands they are both stronger and more capacious and safer than the old ones, for example, these glasses, which are made only on a special order. they are spec

and the happiness of the canvas is sewn with a triple seam epic canvas by the artists in grekov's studio-frame of a newsreel , a portrait resemblance to each soldier rushing into hand-to-hand combat in the picture the climax of the assault the sacred height in the battle for sevastopol in may 1944 breather mountain turned out to be an impregnable fortress, enemy troops were equipped here with pillboxes and idols; the entire eight-kilometer section of the front was indented. these are our soviet trenches positions were located 240 m below, that is, the enemy. we were in full view, but despite this, by the evening the red banner was hoisted over this height, and on may 9, 1944 exactly one year before the great victory, sevastopol , like the whole of crimea, was completely liberated by scout ivan ivanovich went out. one of the first to break through to the ridge. breather of the mountain, he is no longer with us. a few years ago, he managed to talk about the battle, which he compared with the capture of berlin, here they were already dashing. here's where you could. that's when popped out s

head honored artist of russia two fundamental works of the grekov studio of military artists, the victory liberator soldier in kemerovo, an exact copy of the berlin park scenery, have become a notable artistic phenomenon in our country. it was made by the chief sculptor of the project dmitry klavtsuz. me to the soviet soldier is part of the triptych of the sculptor eugene in the account, than the sword of victory, which also includes monuments to the rear of the front, many in magnitogorsk and the motherland calls in volgograd. now the entire monumental complex is assembled in our country. well, while the barbarians are demolishing monuments, trying to rewrite history. we carefully keep it with gratitude to those who gave us life and freedom honored artist of russia leonid serebrennikov we were alive. we were big. and our continuation is weak, our glory is ours glory, christ hurts us, but you continue our new consolation of ours, and you are our sum , our glory, our glory, and our dreamed. our songs our songs the first creative brigade of the ministry of defense of the russian federation

a grekov b. romans vs gauls time? know the answer, but i answered the heads of asterix obelix looked recently, if mikhail pulls his hand, i can’t help but ask him. let michael you in greek, the word barbarian means one who does not speak greek at all, well, in a language that the greeks cannot understand? uh-huh misha in general, that's very charismatic okay? you know greek well as an expert, so you read fifth grade in our history textbook well, and what did daria answer? i believe, uh, b the romans. yeah, when the roman empire was attacked by the tribes, they did not know the roman language of culture and they did not have any concept of the norms and rules of privilege, and the romans called them barbarians for this. that is, people there were seeds spitting. they are where they need to be. let's do it again. anyway, i'll probably ask you something. vyacheslav has what he knows and let's move on. i remember that from a textbook from the history of the fifth grade, the romans erected special fox fortifications. and b