uh, the father of the fantomas, for example, the actor was grigory alexandrov, who will become his permanenttant. and someday he will become a famous film director, he believed that the unit of theatrical action, and then any action on the screen. and this attraction is what affects the viewer. this is something that , in fact, may not be related to the plot, as such, but it evokes some kind of feeling, some kind of emotion. even some the attraction produces a physiological effect for eisenstein - this is both the actor's dialect and the firecracker that he places under the viewer's chair, but in fact, later he concretized what he had in mind much more widely. and in general, everything that is a track, that is, everything that can affect the viewer, that is, in fact, any artistic medium is attraction to one degree or another, and the installation of attractions is all about the placement of artistic means, it turns out like this manner. generally. here it is catchy wording that is absolutely in the style of the twenties to the thirties. he realized that this is, in general, in fact, the des